Warm Broth backdrop

Warm Broth

1988·35m
7.1
Everything will be ok, just close your eyes little thing go to sleep little fuck feel my hand on your warm forehead It's cold isn't it? Ice cold. Dream of something real sweet for mommy Mommy likes sweet things Dream of a merry-go-round and cotton candy Mommy's hand got all warm resting on your tiny head See, look at mommy's hand It got all warm now You're running a slight fever Mommy will get you some water And you're running a slight fever Little fuck don't have to go to school tomorrow but no playing in the yard Someone could see you And I'll be an unfit mommy You'll have to stay in all day but now, dream of the prettiest flower for mommy I'll make you oatmeal first thing And you could tell me the color of the - prettiest flower.
Directed by Luther Price

Crew

Luther Price
Luther Price
Director

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1 review
Ghoulie
Ghoulie
Warm Broth
Well, well, well... what to say about this.

A disaster in the American heartland has laid waste to the nuclear family, it seems. In the haunting, damaged reels of Warm Broth lay a nightmare of melting food and acidic, repetitive subliminal messages. There are several ways this disturbing, unforgettable short can be read, but in my estimation, we are experiencing the after-affects of an insular crime upon the children of a past age, which had now led to generational abuse and torture, creating more psychotic memories to be transplanted through unlucky offspring. Luther Price's motifs, from nude dolls to phallic clothespins, illustrate the Freudian sexual component of the classic American childhood to horrifying effect, utilizing the logic of nightmares to pierce a hole in the heart of the nation.

In all honesty, this film looks like Christian Fear: The Movie. And I say that in the most sobering, empathetic way.
Well, well, well... what to say about this.

A disaster in the American heartland has laid waste to the nuclear family, it seems. In the haunting, damaged reels of Warm Broth lay a nightmare of melting food and acidic, repetitive subliminal messages. There are several ways this disturbing, unforgettable short can be read, but in my estimation, we are experiencing the after-affects of an insular crime upon the children of a past age, which had now led to generational abuse and torture, creating more psychotic memories to be transplanted through unlucky offspring. Luther Price's motifs, from nude dolls to phallic clothespins, illustrate the Freudian sexual component of the classic American childhood to horrifying effect, utilizing the logic of nightmares to pierce a hole in the heart of the nation.

In all honesty, this film looks like Christian Fear: The Movie. And I say that in the most sobering, empathetic way.
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