Sorry, Roger Vadim, I’m not acquainted with your work. This was fun. I think it’s going for excess but if you’re digging back after seeing other anthologies it’s tame. Brilliant costuming and it’s doing interesting things with animals. Weird seeing Peter and Jane Fonda together. I like the gothic horniness and the lush mis-en-scene. I should weave a tapestry. One of those films where you kind of don’t care about much because it’s just really pleasant to look at, which is good because it’s not a terribly exciting ghost story,
I’ve somehow also never seen Louis Malle’s work though a bunch of his stuff I’ve been meaning to hit. This has added some urgency to that. I love a classic double tale and what a delicious version this is. Combine that with a nasty streak and this feels more like an excellent anthology segment rather than an indulgence. What a great gambling sequence. Fucking loved this.
Uh oh. Here comes trouble. Sublime poetry through primal images. Blasphemy. What a fucking powerhouse. What a monster of cinema. Putting things worth looking at in front of the camera including base humanity. Having Fellini do a horror short? Of course it’s brilliant. What a show!
Overall, a really worthwhile anthology. Even the weakest of the three is pretty cool.
Sorry, Roger Vadim, I’m not acquainted with your work. This was fun. I think it’s going for excess but if you’re digging back after seeing other anthologies it’s tame. Brilliant costuming and it’s doing interesting things with animals. Weird seeing Peter and Jane Fonda together. I like the gothic horniness and the lush mis-en-scene. I should weave a tapestry. One of those films where you kind of don’t care about much because it’s just really pleasant to look at, which is good because it’s not a terribly exciting ghost story,
I’ve somehow also never seen Louis Malle’s work though a bunch of his stuff I’ve been meaning to hit. This has added some urgency to that. I love a classic double tale and what a delicious version this is. Combine that with a nasty streak and this feels more like an excellent anthology segment rather than an indulgence. What a great gambling sequence. Fucking loved this.
Uh oh. Here comes trouble. Sublime poetry through primal images. Blasphemy. What a fucking powerhouse. What a monster of cinema. Putting things worth looking at in front of the camera including base humanity. Having Fellini do a horror short? Of course it’s brilliant. What a show!
Overall, a really worthwhile anthology. Even the weakest of the three is pretty cool.