G-Man backdrop

G-Man

1978·28m
7.1
An exploration of social schizophrenia in which terrorists consult their mothers before planting bombs, and the head of the New York City bomb squad succumbs to his dominatrix.
Directed by Beth B and Scott B
woman director

Cast

William Rice
William Rice
Max Karl
Marcia Resnick
Marcia Resnick
Jamie Nares
Jamie Nares

Crew

Beth B
Beth B
Director
Scott B
Scott B
Director
Beth B
Beth B
Writer
Scott B
Scott B
Writer
Beth B
Beth B
Editor
Scott B
Scott B
Editor
Beth B
Beth B
Cinematography
Scott B
Scott B
Cinematography
Beth B
Beth B
Music
Scott B
Scott B
Music
Charlie Ahearn
Charlie Ahearn
Additional Photography
Beth B
Beth B
Sound

Popular Reviews

2 reviews
jamblo
jamblo
G-Man
So that was a fun one. A few minutes of this, a few minutes of that, you know how it is....

Only thing is, when the few minutes are domestic bombings, a scratchy barroom song accompanying a pan of Manhattan, a DS scene with both male & female nudity, a press conference espousing a police state, and some street preaching that culminates in 'Do a good deed for the people of this nation and yourself, kill a corporate executive' it all hits a little different.

The first Scott B and Beth B film (albeit a short) is hampered a bit by its sound design & the quality of its Super 8mm film stock, but not by its ideas or the force with which it jams them into yer eyeholes.

A rip-roaring start to a very brightly burning, if short lived, cinematic partnership.
So that was a fun one. A few minutes of this, a few minutes of that, you know how it is....

Only thing is, when the few minutes are domestic bombings, a scratchy barroom song accompanying a pan of Manhattan, a DS scene with both male & female nudity, a press conference espousing a police state, and some street preaching that culminates in 'Do a good deed for the people of this nation and yourself, kill a corporate executive' it all hits a little different.

The first Scott B and Beth B film (albeit a short) is hampered a bit by its sound design & the quality of its Super 8mm film stock, but not by its ideas or the force with which it jams them into yer eyeholes.

A rip-roaring start to a very brightly burning, if short lived, cinematic partnership.
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iamjanjaniam
iamjanjaniam
G-Man
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G-Man (1978) | Flick