Home. Sweet. Home.
Slow pace, but I felt relaxed.
Not much dialogue, but beautiful imagery.
The acting was decent. A good watch.
64/100

Home. Sweet. Home.
Slow pace, but I felt relaxed.
Not much dialogue, but beautiful imagery.
The acting was decent. A good watch.
64/100

Luc is echt perfect gecast als racist, hij lijkt echt op de gemiddelde goon die naar andrew tate podcasts luistert en crypto tradet

Luc is echt perfect gecast als racist, hij lijkt echt op de gemiddelde goon die naar andrew tate podcasts luistert en crypto tradet

I'm speechless. There's so much to unpack in this film, but I'm not the right person to do it. Instead, all I can do is sit pack and let it all sink in.

I'm speechless. There's so much to unpack in this film, but I'm not the right person to do it. Instead, all I can do is sit pack and let it all sink in.

Been a while to get around to this and it was really quite good 
Had that same glorious melancholy I could have hoped for from another Denis film and while nothing in the nature world could hold a candle to Beau Travail for me for whatever reason, it’s still super nice to feel that creative presence somewhere else
Vague but idk how else to put it
But also makes complete sense even with a different cinematographer so don’t need it to not be vague

Anyway all this to just try and sort of say I had a really nice meditative time 
It poked and examined all it could and then finally said what it had to say through some nice metaphors and monologues 
Short or long or a drag or whatever it definitely worked for me to package up the previous film that came before it 
My heads running empty with thoughts to be honest 
But overall this really was a good good watch 
I want to talk about the characterisation in this a bit but it’s not happening tonight it’s just not 
For this film it feels very daunting but I thought the parallels and metaphors used through characters to like condense the political climate or whatever was really nicely done, albeit maybe sacrificed a bit of integrity to the characters as people ?
Idk you see what I mean like this isn’t happening 
I wna watch Beau Travail again and again

Been a while to get around to this and it was really quite good 
Had that same glorious melancholy I could have hoped for from another Denis film and while nothing in the nature world could hold a candle to Beau Travail for me for whatever reason, it’s still super nice to feel that creative presence somewhere else
Vague but idk how else to put it
But also makes complete sense even with a different cinematographer so don’t need it to not be vague

Anyway all this to just try and sort of say I had a really nice meditative time 
It poked and examined all it could and then finally said what it had to say through some nice metaphors and monologues 
Short or long or a drag or whatever it definitely worked for me to package up the previous film that came before it 
My heads running empty with thoughts to be honest 
But overall this really was a good good watch 
I want to talk about the characterisation in this a bit but it’s not happening tonight it’s just not 
For this film it feels very daunting but I thought the parallels and metaphors used through characters to like condense the political climate or whatever was really nicely done, albeit maybe sacrificed a bit of integrity to the characters as people ?
Idk you see what I mean like this isn’t happening 
I wna watch Beau Travail again and again

Muito forte como o filme não aborda apenas o obvio do colonialismo na questão do impacto dos povos nativos, não que em algum momento isso deixe de ser feito, ja que no seu cerne, todas as cenas contam com a presença da resistencia, mesmo que silenciosa, a clara não conformidade dos "estranhos" aquele local e cultura, mas também trabalha sobre a perspectiva da criança, que não se assimila aquela sociedade na qual faz parte e cresce, por diferenças étnicas impostas dentro da perspectiva colonial e racista, mas que também não cresce no que seria seu local de origem, a França, e como isso tira qualquer senso de pertencimento a algum lugar que possa chamar de raiz, assim como o cacau que não pertence ao lugar na qual é plantado e se transforma em algo fora dali, onde seu valor não é dado por uma herença cultural, mas sim como uma praga que se absorve e destroi tudo onde se estabelece.

Muito forte como o filme não aborda apenas o obvio do colonialismo na questão do impacto dos povos nativos, não que em algum momento isso deixe de ser feito, ja que no seu cerne, todas as cenas contam com a presença da resistencia, mesmo que silenciosa, a clara não conformidade dos "estranhos" aquele local e cultura, mas também trabalha sobre a perspectiva da criança, que não se assimila aquela sociedade na qual faz parte e cresce, por diferenças étnicas impostas dentro da perspectiva colonial e racista, mas que também não cresce no que seria seu local de origem, a França, e como isso tira qualquer senso de pertencimento a algum lugar que possa chamar de raiz, assim como o cacau que não pertence ao lugar na qual é plantado e se transforma em algo fora dali, onde seu valor não é dado por uma herença cultural, mas sim como uma praga que se absorve e destroi tudo onde se estabelece.