Juzo Itami is back at it again with some breath-taking framing, a funny credits sequence and some sharp humour.

This one felt more playful than Tampopo, it felt much more satirical and personal to Itami himself, given the context of the film's making.

A really funny, yet still emotionally poignant watch. That 16mm sequence was really beautiful.

Juzo Itami is back at it again with some breath-taking framing, a funny credits sequence and some sharp humour.

This one felt more playful than Tampopo, it felt much more satirical and personal to Itami himself, given the context of the film's making.

A really funny, yet still emotionally poignant watch. That 16mm sequence was really beautiful.

Theres something really heartfelt, cozy and weird about this. So if you look past the forest mistress sex and facts about baby burning, this is a great satire for the entire family!

Theres something really heartfelt, cozy and weird about this. So if you look past the forest mistress sex and facts about baby burning, this is a great satire for the entire family!

families and people are messy and this movie really showed me that doesn’t change across culture or geography

families and people are messy and this movie really showed me that doesn’t change across culture or geography

love juzo itami, absolutely adore nobuko miyamoto

love juzo itami, absolutely adore nobuko miyamoto

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