yo se q a veces peliamos pero q rico cuando peliamos en sueños

yo se q a veces peliamos pero q rico cuando peliamos en sueños

This is one of Bergman’s darkest outings and, surprisingly, better than Scenes from a Marriage.

This is one of Bergman’s darkest outings and, surprisingly, better than Scenes from a Marriage.

when your mom is mean so you become gay and kill a prostitute or something

when your mom is mean so you become gay and kill a prostitute or something

— Criterion Challenge —

#Film 45. (Directed by Ingmar Bergman)

Almost like Film Noir with a psychiatrist instead of a Detective.

As always Ingmar Bergman delivers.. this time a fairly disturbing film and the first scene is terrifying. The film quickly turns into a character study like no other. Probably Bergman’s darkest in my opinion, but not his best character study, but close and highly engaging. The German setting and dialogue makes it even darker and it’s strange seeing Ingmar Bergman work in another language than Swedish. 

The whole film has a dark and gritty athmosphere and his decision to use black & white was great. 

Very underrated, highly recommend.

— Criterion Challenge —

#Film 45. (Directed by Ingmar Bergman)

Almost like Film Noir with a psychiatrist instead of a Detective.

As always Ingmar Bergman delivers.. this time a fairly disturbing film and the first scene is terrifying. The film quickly turns into a character study like no other. Probably Bergman’s darkest in my opinion, but not his best character study, but close and highly engaging. The German setting and dialogue makes it even darker and it’s strange seeing Ingmar Bergman work in another language than Swedish. 

The whole film has a dark and gritty athmosphere and his decision to use black & white was great. 

Very underrated, highly recommend.

This is unlike Bergman's other work. It has the long takes and monologues that you'd expect but it also has loud techno music and a murder scene you'd expect from a Giallo. Whether it was intentional or not it feels like Bergman pulling from genre films without losing focus on the central marriage and the two complex characters at its core. A film from Bergman's Cinema I did not expect to enjoy as much as I did.

This is unlike Bergman's other work. It has the long takes and monologues that you'd expect but it also has loud techno music and a murder scene you'd expect from a Giallo. Whether it was intentional or not it feels like Bergman pulling from genre films without losing focus on the central marriage and the two complex characters at its core. A film from Bergman's Cinema I did not expect to enjoy as much as I did.