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1922·Comedy·1h
7.1
Country doctor Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and his sanitarium very rich after years of unsuccessful treatment.
Directed by Sam Taylor and Fred C. Newmeyer
rivalry
lawyer
doctor
poker game
invalid
escaped mental patient
fake illness

Cast

Harold Lloyd
Harold Lloyd
Dr. 'Jack' Jackson
Mildred Davis
Mildred Davis
The Sick-Little-Well-Girl
John T. Prince
John T. Prince
Charles F. Haskell - Her Father
Eric Mayne
Eric Mayne
Dr. Ludwig von Saulsbourg
C. Norman Hammond
C. Norman Hammond
Jamison - the Lawyer
Jackie Condon
Jackie Condon
Boy's Pal (uncredited)
Mickey Daniels
Mickey Daniels
Boy Patient (uncredited)
Richard Daniels
Richard Daniels
Man (uncredited)
William Gillespie
William Gillespie
Card Player (uncredited)
Wally Howe
Wally Howe
Asylum Guard (uncredited)
James T. Kelley
James T. Kelley
Card-Playing Father (uncredited)
Charles Stevenson
Charles Stevenson
Asylum Guard (uncredited)

Crew

Sam Taylor
Sam Taylor
Director
Fred C. Newmeyer
Fred C. Newmeyer
Director
Hal Roach
Hal Roach
Producer
H.M. Walker
H.M. Walker
Title Designer
Sam Taylor
Sam Taylor
Story
Jean C. Havez
Jean C. Havez
Story
Hal Roach
Hal Roach
Story

Popular Reviews

11 reviews
zoie winter
Dr. Jack
listen. Idc thats its old the humor is just so so so unfunny for me i really cant even laugh this
listen. Idc thats its old the humor is just so so so unfunny for me i really cant even laugh this
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Grilliam
Dr. Jack
I like Harold Lloyd; he's likeable and charismatic, but he just doesn't connect like Chaplin does. The story is just so disjointed and there really isn't much of a character for him or anyone else really. The main chunk is just a long Benny Hill sketch that doesn't make a lot of sense narrative wise and get old pretty quick. It does do things way better than shit like The Artisit, since the acting is very clear and expressive, but I can't help but compare with Chaplin and this just can't match that.
I like Harold Lloyd; he's likeable and charismatic, but he just doesn't connect like Chaplin does. The story is just so disjointed and there really isn't much of a character for him or anyone else really. The main chunk is just a long Benny Hill sketch that doesn't make a lot of sense narrative wise and get old pretty quick. It does do things way better than shit like The Artisit, since the acting is very clear and expressive, but I can't help but compare with Chaplin and this just can't match that.
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Meow
Meow
Dr. Jack
Harold please be my doctor
Harold please be my doctor
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Erik Olsson
Erik Olsson
Dr. Jack
Not one of Harold Lloyd's best films, but still showcases his endearingly boyish charm with some very adorably heartfelt moments. The entire climax as well is classic Lloyd.
Not one of Harold Lloyd's best films, but still showcases his endearingly boyish charm with some very adorably heartfelt moments. The entire climax as well is classic Lloyd.
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Cinephile Land
Cinephile Land
Dr. Jack
I’m convinced Lloyd was obsessed with conjuring new, creative, heartwarming and immersive ways of portraying love. I’ve seen “The Glasses” fall in love more times than I can count, and each time as unique as the next.
I’m convinced Lloyd was obsessed with conjuring new, creative, heartwarming and immersive ways of portraying love. I’ve seen “The Glasses” fall in love more times than I can count, and each time as unique as the next.
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Dr. Jack (1922) | Flick