Underworld backdrop

Underworld

1927·Drama·1h 27m
7.1
Boisterous gangster kingpin Bull Weed rehabilitates his former lawyer from his alcoholic haze, but complications arise when he falls for Weed's girlfriend.
Directed by Josef von Sternberg
death sentence
prison escape
revenge
organized crime
alcoholic
silent film

Cast

George Bancroft
George Bancroft
Bull Weed
Evelyn Brent
Evelyn Brent
Feathers
Clive Brook
Clive Brook
Rolls Royce
Fred Kohler
Fred Kohler
Buck Mulligan
Helen Lynch
Helen Lynch
Mulligan's Girl
Larry Semon
Larry Semon
Slippy Lewis
Jerry Mandy
Jerry Mandy
Paloma
Alfred Allen
Alfred Allen
Judge (uncredited)
Shep Houghton
Shep Houghton
Street Kid (uncredited)
Ida May
Ida May
Laughing Woman at the Ball (uncredited)
Bob Reeves
Bob Reeves
Detective at Railroad Station (uncredited)

Crew

Josef von Sternberg
Josef von Sternberg
Director
Bert Glennon
Bert Glennon
Director of Photography
Ben Hecht
Ben Hecht
Story
Jesse L. Lasky
Jesse L. Lasky
Presenter
Adolph Zukor
Adolph Zukor
Presenter

Popular Reviews

16 reviews
Sam Stevens
Sam Stevens
Underworld
A fairly exciting crime film and a very interesting precursor to the gangster genre. You can definitely tell how influential it was to films like Scarface 1932 and Little Caesar, it also blended some lovely melodrama into the action which was fantastic. I found that the film being silent slightly affected the pacing and action but was overall not much of a problem, in fact quite a few scenes worked out well being silent for the gritty atmosphere. Also those last 10 minutes were absolutely terrific, full of engaging action, they very much reminded me of the ending to Scarface 1932 actually. Overall a pretty decent film!
A fairly exciting crime film and a very interesting precursor to the gangster genre. You can definitely tell how influential it was to films like Scarface 1932 and Little Caesar, it also blended some lovely melodrama into the action which was fantastic. I found that the film being silent slightly affected the pacing and action but was overall not much of a problem, in fact quite a few scenes worked out well being silent for the gritty atmosphere. Also those last 10 minutes were absolutely terrific, full of engaging action, they very much reminded me of the ending to Scarface 1932 actually. Overall a pretty decent film!
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christy
christy
Underworld
* 1 out of 52 for the 2026 Criterion Challenge *

Gangster films definitely benefited a ton from sound. Still had some great performances regardless, especially from George Bancroft. You can also see how parts of this served as inspiration for Howard Hawk's Scarface. The plot could of been more complex but it does a good job for what it is. I just hope that the little kitten was okay.
* 1 out of 52 for the 2026 Criterion Challenge *

Gangster films definitely benefited a ton from sound. Still had some great performances regardless, especially from George Bancroft. You can also see how parts of this served as inspiration for Howard Hawk's Scarface. The plot could of been more complex but it does a good job for what it is. I just hope that the little kitten was okay.
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Tyler Burns
Tyler Burns
Underworld
I wasn’t super excited about watching this, but then I saw that shot of the clock tower. Locked in

It held my attention pretty well, I struggle with silent stuff.
I wasn’t super excited about watching this, but then I saw that shot of the clock tower. Locked in

It held my attention pretty well, I struggle with silent stuff.
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Olivia
Olivia
Underworld
Now that I’m out of Gilmore Girls purgatory, this was a nice palette cleanser. 

This felt like reading a book to me which I did not expect. 

Also, “Framed you, since when are you a picture” is funny asf 

Criterion Challenge 202441/5241. 1920s
Now that I’m out of Gilmore Girls purgatory, this was a nice palette cleanser. 

This felt like reading a book to me which I did not expect. 

Also, “Framed you, since when are you a picture” is funny asf 

Criterion Challenge 202441/5241. 1920s
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Erik Olsson
Erik Olsson
Underworld
Some of my favorite filmmaking of the silent era. The cinematography, the lighting, the editing, the visual performances. Really damn good stuff.
Some of my favorite filmmaking of the silent era. The cinematography, the lighting, the editing, the visual performances. Really damn good stuff.
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Underworld (1927) | Flick