
Love After Love
2018·Drama·1h 33m
7.1
★

A sixty-something mother and her two adult sons cope and move onward following the death of their larger-than-life father/husband.
Directed by Russell Harbaugh
loss of loved one
mother son relationship

Trailer

IMDB
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Where to Watch



Cast

Andie MacDowell
Suzanne

Chris O'Dowd
Nicholas

James Adomian
Chris

Juliet Rylance
Rebecca

Dree Hemingway
Emilie

Francesca Faridany
Karen

Gareth Williams
Glenn

Matt Salinger
Michael

Graham Mason
Graham

Rebecca Dreyfus
Lauren
Crew

Eric Mendelsohn
Writer

David Shire
Original Music Composer

Lars Knudsen
Executive Producer

Lauren Haber
Producer

Winslow Bright
Music Supervisor

Douglas Aibel
Casting
Popular Reviews
6 reviews
SofiaPRO
7.0★ · 04/06/24

although i was disappointed by the ending i really enjoyed this. the acting was good, the visuals were beautiful and the plot was captivating enough (even if a little slow). i’m also i huge fan of chinese period dramas so this was right up my alley
although i was disappointed by the ending i really enjoyed this. the acting was good, the visuals were beautiful and the plot was captivating enough (even if a little slow). i’m also i huge fan of chinese period dramas so this was right up my alley
Murphy
8.5★ · 12/18/18

I knew James Adomian was going to be in this but I didn't know I was going to get to watch him do like ten minutes of stand-up.
I love these movies about sad, mopey, morally gray, mourning creative types who wander around dusk-sunlit rooms and don't know what to do with themselves. It's very sad and usually with movies like this there's a bit of hope at the end, but even here I think that beat is meant to instill a false sense of security. The most powerful aspect in this is how one character's actions will indirectly affect the actions of another and how this swirl of hurt feelings and confusion is the most realistic reaction to grief. Overall, very strong and right in my wheelhouse.
I love these movies about sad, mopey, morally gray, mourning creative types who wander around dusk-sunlit rooms and don't know what to do with themselves. It's very sad and usually with movies like this there's a bit of hope at the end, but even here I think that beat is meant to instill a false sense of security. The most powerful aspect in this is how one character's actions will indirectly affect the actions of another and how this swirl of hurt feelings and confusion is the most realistic reaction to grief. Overall, very strong and right in my wheelhouse.
I knew James Adomian was going to be in this but I didn't know I was going to get to watch him do like ten minutes of stand-up.
I love these movies about sad, mopey, morally gray, mourning creative types who wander around dusk-sunlit rooms and don't know what to do with themselves. It's very sad and usually with movies like this there's a bit of hope at the end, but even here I think that beat is meant to instill a false sense of security. The most powerful aspect in this is how one character's actions will indirectly affect the actions of another and how this swirl of hurt feelings and confusion is the most realistic reaction to grief. Overall, very strong and right in my wheelhouse.
I love these movies about sad, mopey, morally gray, mourning creative types who wander around dusk-sunlit rooms and don't know what to do with themselves. It's very sad and usually with movies like this there's a bit of hope at the end, but even here I think that beat is meant to instill a false sense of security. The most powerful aspect in this is how one character's actions will indirectly affect the actions of another and how this swirl of hurt feelings and confusion is the most realistic reaction to grief. Overall, very strong and right in my wheelhouse.
Lainproxy
7.0★ · 08/31/25

Yonatan
4.0★ · 08/25/23

James
4.0★ · 07/27/23
