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1931·Crime·1h 29m
7.1
Searching for headlines at any cost, an unscrupulous newspaper owner forces his editor to print a serial based on a past murder, tormenting a woman involved.
Directed by Mervyn LeRoy
press
based on play or musical
newspaper man
newspaper editor
pre-code
female journalist
breach of promise
sensationalism
accused of murder
crime serial
tabloid journalism
newspaper headline

Cast

Edward G. Robinson
Edward G. Robinson
Joseph W. Randall
Marian Marsh
Marian Marsh
Jenny Townsend
H.B. Warner
H.B. Warner
Michael Townsend
Anthony Bushell
Anthony Bushell
Phillip Weeks
George E. Stone
George E. Stone
Ziggie Feinstein
Frances Starr
Frances Starr
Nancy (Voorhees) Townsend
Ona Munson
Ona Munson
Kitty Carmody
Boris Karloff
Boris Karloff
T. Vernon Isopod
Aline MacMahon
Aline MacMahon
Miss Taylor
Oscar Apfel
Oscar Apfel
Bernard Hinchecliffe
Purnell Pratt
Purnell Pratt
Robert French
Robert Elliott
Robert Elliott
R.J. Brannegan

Crew

Mervyn LeRoy
Mervyn LeRoy
Director
Hal B. Wallis
Hal B. Wallis
Producer

Popular Reviews

9 reviews
PoochieVince
PoochieVince
Five Star Final
This one is a total slow burn. The first act takes its sweet time getting the pieces on the board, but once the momentum kicks in, the final stretch is absolutely crackling.

The cast is top-tier, and you can really see the ambition in the direction. That triple-split-screen phone call must have been a genuine mind-blower for audiences in 1931. It’s a sharp, cynical look at the newspaper grind that still feels surprisingly relevant.
This one is a total slow burn. The first act takes its sweet time getting the pieces on the board, but once the momentum kicks in, the final stretch is absolutely crackling.

The cast is top-tier, and you can really see the ambition in the direction. That triple-split-screen phone call must have been a genuine mind-blower for audiences in 1931. It’s a sharp, cynical look at the newspaper grind that still feels surprisingly relevant.
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Erik Olsson
Erik Olsson
Five Star Final
godDAMN, pre-codes are ruthless. Shocking not only for its themes and content for the era, but also for how electric the filmmaking is for an early sound film. Fantastic performances all around, with special mention to pre-Frankenstein Boris Karloff in a supporting role as a dirty reporter who is just so delightfully evil to watch. Surprised this one isn't talked about more.
godDAMN, pre-codes are ruthless. Shocking not only for its themes and content for the era, but also for how electric the filmmaking is for an early sound film. Fantastic performances all around, with special mention to pre-Frankenstein Boris Karloff in a supporting role as a dirty reporter who is just so delightfully evil to watch. Surprised this one isn't talked about more.
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rivercitykiiid
rivercitykiiid
Five Star Final
1) “I think you can always get people interested in the crucifixion of a woman” is an all time bar 🔥2) watched this movie for boris karloff, was pleasantly surprised how good it was 😎🤙3) the telephone ping pong was kind of weird but good pacing otherwise 4) shoutout michael townsend, talk about ride or die 😮‍💨 H.B. Warner is a hell of an actor omg I’ve only ever really seen him as Mr. Gower in It’s a Wonderful Life, but wow I’m so impressed
1) “I think you can always get people interested in the crucifixion of a woman” is an all time bar 🔥2) watched this movie for boris karloff, was pleasantly surprised how good it was 😎🤙3) the telephone ping pong was kind of weird but good pacing otherwise 4) shoutout michael townsend, talk about ride or die 😮‍💨 H.B. Warner is a hell of an actor omg I’ve only ever really seen him as Mr. Gower in It’s a Wonderful Life, but wow I’m so impressed
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JMadson
Five Star Final
Media isn’t all it seems. Anyways Edward G Robinson is great. Sharp whit.
Media isn’t all it seems. Anyways Edward G Robinson is great. Sharp whit.
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Pretentious
Pretentious
Five Star Final
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