
The Champ
1931·Drama·1h 26m
7.1
★



A broken-down alcoholic prizefighter struggles to keep custody of his adoring son.
Directed by King Vidor
sports
gambling
fighter
boxer
alcoholic
single father
racetrack
alcoholic father
prizefight
divorced parents
mother child separation
boxing
father son relationship
remade
prizefighter
retired prizefighter
mother son reunion

Trailer

IMDB
N/A
Where to Watch



Cast

Wallace Beery
Andy 'Champ' Purcell

Jackie Cooper
Dink Purcell

Irene Rich
Linda Carleton

Roscoe Ates
Sponge

Edward Brophy
Tim

Hale Hamilton
Tony Carleton

Marcia Mae Jones
Mary Lou Carleton

Dannie Mac Grant
Boy Taunting Dink (uncredited)

Frank Hagney
Mexican Champ Manuel Quiroga (uncredited)

Dell Henderson
The Doctor (uncredited)

Tom McGuire
Los Angeles Promoter (uncredited)

Lee Phelps
Louie the Bartender (uncredited)
Crew

King Vidor
Director

Frances Marion
Writer

King Vidor
Producer

Harry Rapf
Producer

Irving Thalberg
Producer

Douglas Shearer
Recording Supervision

Cedric Gibbons
Art Direction

Frances Marion
Story
Popular Reviews
7 reviews
geo
7.0★ · 04/21/26

A very sweet time. In my world, this win was for Jackie Cooper... and that would be in an **exact **tie, btw
A very sweet time. In my world, this win was for Jackie Cooper... and that would be in an **exact **tie, btw
Jonathan
8.0★ · 08/19/25

The Champ is somewhat of a slow burner. It isn’t a complicated film, but instead a rather straightforward family drama about the relationship between a father and his son. The film starts slow, yet as it progresses, it steadily builds up the relationship. By the end of the film, you can’t help but care for the characters, despite their faults, up until the utterly heartbreaking finale.
The performances of The Champ truly sell the film. If it wasn’t for Wallace Beery’s staunchly faulty and stoic portrayal of the titular character, and Jackie Cooper as the strong-willed son, the film simply wouldn’t have worked. They make the characters feel as alive as they do the world around them.
I was ultimately taken by surprise at how much I cared for the story by the end of the film. But that seems be a consistent aspect of King Vidor’s films. They’re sleeper-hits that slowly lul you in, leaving you deeply engaged - or at least, that has been my experience.
The performances of The Champ truly sell the film. If it wasn’t for Wallace Beery’s staunchly faulty and stoic portrayal of the titular character, and Jackie Cooper as the strong-willed son, the film simply wouldn’t have worked. They make the characters feel as alive as they do the world around them.
I was ultimately taken by surprise at how much I cared for the story by the end of the film. But that seems be a consistent aspect of King Vidor’s films. They’re sleeper-hits that slowly lul you in, leaving you deeply engaged - or at least, that has been my experience.
The Champ is somewhat of a slow burner. It isn’t a complicated film, but instead a rather straightforward family drama about the relationship between a father and his son. The film starts slow, yet as it progresses, it steadily builds up the relationship. By the end of the film, you can’t help but care for the characters, despite their faults, up until the utterly heartbreaking finale.
The performances of The Champ truly sell the film. If it wasn’t for Wallace Beery’s staunchly faulty and stoic portrayal of the titular character, and Jackie Cooper as the strong-willed son, the film simply wouldn’t have worked. They make the characters feel as alive as they do the world around them.
I was ultimately taken by surprise at how much I cared for the story by the end of the film. But that seems be a consistent aspect of King Vidor’s films. They’re sleeper-hits that slowly lul you in, leaving you deeply engaged - or at least, that has been my experience.
The performances of The Champ truly sell the film. If it wasn’t for Wallace Beery’s staunchly faulty and stoic portrayal of the titular character, and Jackie Cooper as the strong-willed son, the film simply wouldn’t have worked. They make the characters feel as alive as they do the world around them.
I was ultimately taken by surprise at how much I cared for the story by the end of the film. But that seems be a consistent aspect of King Vidor’s films. They’re sleeper-hits that slowly lul you in, leaving you deeply engaged - or at least, that has been my experience.
Erik Olsson
8.0★ · 03/10/25

I'm actually decently surprised by this! May seem fairly clichéd by modern standards, but that's probably because a lot of those clichés come from this movie, and it's very earnest as a result. This entire movie hinges on Wallace Beery and Jackie Cooper's performances and dynamic, and they truly light up the screen and pull the audience in immediately. Even the filmmaking is remarkably good for an early sound film, no doubt in part due to director King Vidor. Honestly worth a watch, definitely a tearjerker.
I'm actually decently surprised by this! May seem fairly clichéd by modern standards, but that's probably because a lot of those clichés come from this movie, and it's very earnest as a result. This entire movie hinges on Wallace Beery and Jackie Cooper's performances and dynamic, and they truly light up the screen and pull the audience in immediately. Even the filmmaking is remarkably good for an early sound film, no doubt in part due to director King Vidor. Honestly worth a watch, definitely a tearjerker.
Garrett
10.0★ · 04/04/25

JMadson
8.9★ · 02/01/24
