Beat Girl backdrop
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1960·Drama·1h 28m
7.1
When her architect father brings home a much younger new wife, rebellious and resentful teen Jenny goes to extreme lengths to sabotage their relationship.
Directed by Edmond T. Gréville
delinquent

Cast

David Farrar
David Farrar
Paul Linden
Noëlle Adam
Noëlle Adam
Nichole Linden
Christopher Lee
Christopher Lee
Kenny King
Gillian Hills
Gillian Hills
Jennifer Linden
Adam Faith
Adam Faith
Dave
Shirley Anne Field
Shirley Anne Field
Dodo
Peter McEnery
Peter McEnery
Tony
Claire Gordon
Claire Gordon
Honey
Oliver Reed
Oliver Reed
Plaid Shirt
Robert Raglan
Robert Raglan
FO Official
Nigel Green
Nigel Green
Simon
Norman Mitchell
Norman Mitchell
Club Doorman

Crew

Edmond T. Gréville
Edmond T. Gréville
Director
John Barry
John Barry
Original Music Composer
Walter Lassally
Walter Lassally
Director of Photography
Trevor Peacock
Trevor Peacock
Lyricist

Popular Reviews

10 reviews
Amelia
Amelia
Beat Girl
didn’t get too many kicks from this film but I still dig these beat cats, man
didn’t get too many kicks from this film but I still dig these beat cats, man
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JK
JK
Beat Girl
I'm considering surgery to look more evil for a closer resemblance to Oliver Reed.
I'm considering surgery to look more evil for a closer resemblance to Oliver Reed.
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iamjanjaniam
iamjanjaniam
Beat Girl
i am very french
i am very french
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Maranda
Maranda
Beat Girl
What’s with dads marrying inappropriate women and then being confused when their kids react poorly
What’s with dads marrying inappropriate women and then being confused when their kids react poorly
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jo
jo
Beat Girl
Could've been a great movie. Unfortunately had too many clunky unnecessary scenes and went the wrong way. The random post war Britain trauma dump in the cave was- You'll probably think I'm delusional and I'm reaching very far with this but what if the film takes a formalist approach? (Why do mainstream audiences hate formalism and deny it reject it every time,,, a film tries to do something interesting with form and it's branded as weird and experimental...) Maybe the form takes on Jennifer as a whole character shaped by the film and has her stereotype on display via that. Don't know about you but Ive met too many people that fit her archetype (AND JENNIFER GOES TO CENTRAL ST MARTINS TOO THE JOKES WRITE THEMSELVES !!!!) Very much that prissy rich nepobaby who trys sooooo hard to act underprivileged and that trauma dump scene is a very common trope of that stereotype.
Not a great film but the substance is there, it just wasn't able to come to life (in some scenes it does, mainly the youthful musical scenes). Score is insane.
The real question here is What do we have to do to stop UAL name drops in British films set in London.
Could've been a great movie. Unfortunately had too many clunky unnecessary scenes and went the wrong way. The random post war Britain trauma dump in the cave was- You'll probably think I'm delusional and I'm reaching very far with this but what if the film takes a formalist approach? (Why do mainstream audiences hate formalism and deny it reject it every time,,, a film tries to do something interesting with form and it's branded as weird and experimental...) Maybe the form takes on Jennifer as a whole character shaped by the film and has her stereotype on display via that. Don't know about you but Ive met too many people that fit her archetype (AND JENNIFER GOES TO CENTRAL ST MARTINS TOO THE JOKES WRITE THEMSELVES !!!!) Very much that prissy rich nepobaby who trys sooooo hard to act underprivileged and that trauma dump scene is a very common trope of that stereotype.
Not a great film but the substance is there, it just wasn't able to come to life (in some scenes it does, mainly the youthful musical scenes). Score is insane.
The real question here is What do we have to do to stop UAL name drops in British films set in London.
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Comment