

1960·Drama·1h 28m
7.1
★


When her architect father brings home a much younger new wife, rebellious and resentful teen Jenny goes to extreme lengths to sabotage their relationship.
Directed by Edmond T. Gréville
delinquent

Trailer

IMDB
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Where to Watch


Cast

David Farrar
Paul Linden

Noëlle Adam
Nichole Linden

Christopher Lee
Kenny King

Gillian Hills
Jennifer Linden

Adam Faith
Dave

Shirley Anne Field
Dodo

Peter McEnery
Tony

Claire Gordon
Honey

Oliver Reed
Plaid Shirt

Robert Raglan
FO Official

Nigel Green
Simon

Norman Mitchell
Club Doorman
Crew

Edmond T. Gréville
Director

John Barry
Original Music Composer

Walter Lassally
Director of Photography

Trevor Peacock
Lyricist
Popular Reviews
10 reviews
Amelia
6.0★ · 01/15/26

didn’t get too many kicks from this film but I still dig these beat cats, man
didn’t get too many kicks from this film but I still dig these beat cats, man
JK

I'm considering surgery to look more evil for a closer resemblance to Oliver Reed.
I'm considering surgery to look more evil for a closer resemblance to Oliver Reed.
iamjanjaniam
6.4★ · 07/03/25

i am very french
i am very french
Maranda
6.0★ · 04/05/25

What’s with dads marrying inappropriate women and then being confused when their kids react poorly
What’s with dads marrying inappropriate women and then being confused when their kids react poorly
jo
6.0★ · 02/06/24

Could've been a great movie. Unfortunately had too many clunky unnecessary scenes and went the wrong way. The random post war Britain trauma dump in the cave was- You'll probably think I'm delusional and I'm reaching very far with this but what if the film takes a formalist approach? (Why do mainstream audiences hate formalism and deny it reject it every time,,, a film tries to do something interesting with form and it's branded as weird and experimental...) Maybe the form takes on Jennifer as a whole character shaped by the film and has her stereotype on display via that. Don't know about you but Ive met too many people that fit her archetype (AND JENNIFER GOES TO CENTRAL ST MARTINS TOO THE JOKES WRITE THEMSELVES !!!!) Very much that prissy rich nepobaby who trys sooooo hard to act underprivileged and that trauma dump scene is a very common trope of that stereotype.
Not a great film but the substance is there, it just wasn't able to come to life (in some scenes it does, mainly the youthful musical scenes). Score is insane.
The real question here is What do we have to do to stop UAL name drops in British films set in London.
Not a great film but the substance is there, it just wasn't able to come to life (in some scenes it does, mainly the youthful musical scenes). Score is insane.
The real question here is What do we have to do to stop UAL name drops in British films set in London.
Could've been a great movie. Unfortunately had too many clunky unnecessary scenes and went the wrong way. The random post war Britain trauma dump in the cave was- You'll probably think I'm delusional and I'm reaching very far with this but what if the film takes a formalist approach? (Why do mainstream audiences hate formalism and deny it reject it every time,,, a film tries to do something interesting with form and it's branded as weird and experimental...) Maybe the form takes on Jennifer as a whole character shaped by the film and has her stereotype on display via that. Don't know about you but Ive met too many people that fit her archetype (AND JENNIFER GOES TO CENTRAL ST MARTINS TOO THE JOKES WRITE THEMSELVES !!!!) Very much that prissy rich nepobaby who trys sooooo hard to act underprivileged and that trauma dump scene is a very common trope of that stereotype.
Not a great film but the substance is there, it just wasn't able to come to life (in some scenes it does, mainly the youthful musical scenes). Score is insane.
The real question here is What do we have to do to stop UAL name drops in British films set in London.
Not a great film but the substance is there, it just wasn't able to come to life (in some scenes it does, mainly the youthful musical scenes). Score is insane.
The real question here is What do we have to do to stop UAL name drops in British films set in London.