Of all 8 shorts, I find Ashim Ahluwalia's (THE PALACE OF HORRORS) the most compelling; including the stylistic choice to keep it entirely in B&W. The remaining shorts didn't intrigue or spark any interest in following along, speculating or even analyzing.
Of all 8 shorts, I find Ashim Ahluwalia's (THE PALACE OF HORRORS) the most compelling; including the stylistic choice to keep it entirely in B&W. The remaining shorts didn't intrigue or spark any interest in following along, speculating or even analyzing.