1968·Drama·13m
7.0
★
An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
Directed by Jørgen Leth
art
short film
IMDB
N/A
Cast
Claus Nissen
The Perfect Man
Jørgen Leth
Speaker (voice) (uncredited)
Crew
Jørgen Leth
Director
Ole John
Writer
Jørgen Leth
Writer
Ole John
Director of Photography
Henning Camre
Director of Photography
Henning Christiansen
Music
Popular Reviews
25 reviews
thora molly
jeg har igen i dag oplevet noget jeg håber at kunne forstå om et par dage
jeg har igen i dag oplevet noget jeg håber at kunne forstå om et par dage
Sergio
6.0★ · 12/10/25
im 100% sure that there are alien kids studying us in elementary schools w this sort of videos
im 100% sure that there are alien kids studying us in elementary schools w this sort of videos
Liberty
4.1★ · 12/03/24
A six year old who plays with dolls makes better observations than this where’s the pazazz
A six year old who plays with dolls makes better observations than this where’s the pazazz
Nathaniel5678
5.0★ · 09/17/24
This may be about “the perfect human” but I wouldn’t call it a perfect movie. Interesting yes, but forgettable more than anything.
This may be about “the perfect human” but I wouldn’t call it a perfect movie. Interesting yes, but forgettable more than anything.
Jackson Lang
8.0★ · 03/29/24
In a sea of infinite possibilities what why and how do we capture a subject? What do we put in front of our camera lens? How do we depict the human? What is the cameras goal why this over that?
Probably one of my new favorite things to come out of the 60s and another great addition to the wonderful year of 67 specifically.
The questions this film proposes have still yet to be answered, and ones that cinema should continue to ask it itself.
Probably one of my new favorite things to come out of the 60s and another great addition to the wonderful year of 67 specifically.
The questions this film proposes have still yet to be answered, and ones that cinema should continue to ask it itself.
In a sea of infinite possibilities what why and how do we capture a subject? What do we put in front of our camera lens? How do we depict the human? What is the cameras goal why this over that?
Probably one of my new favorite things to come out of the 60s and another great addition to the wonderful year of 67 specifically.
The questions this film proposes have still yet to be answered, and ones that cinema should continue to ask it itself.
Probably one of my new favorite things to come out of the 60s and another great addition to the wonderful year of 67 specifically.
The questions this film proposes have still yet to be answered, and ones that cinema should continue to ask it itself.