
Goin' Down the Road
1970·Drama·1h 28m
7.1
★



Two friends travel from Nova Scotia to Toronto in hope of finding a better life. A classic, and over 50 years later, the film has been on every TIFF list of the top 10 Canadian films ever made.
Directed by Donald Shebib
friendship
waitress
toronto, canada
nova scotia, canada
friends
snow
train
on the road
bowling alley
canuxploitation

IMDB
N/A
Cast

Doug McGrath
Peter

Paul Bradley
Joey

Jayne Eastwood
Betty

Cayle Chernin
Selina

Mary Black
Peter's Aunt
Crew

Donald Shebib
Director

William Fruet
Screenplay

Donald Shebib
Screenplay

Bruce Cockburn
Original Music Composer

Donald Shebib
Editor

Donald Shebib
Producer
Popular Reviews
3 reviews
Daniel Skinner
7.0★ · 11/18/25

Shebib's Toronto is suffocating, claustrophobic, and monochromatic. It's dreariness drapes over the screen like a blanket of broken promises and unfulfilled potential. Pete and Joey are practically squeezed by the tight framing, as if the city is wringing them out for every drop it can get. The result is a truly dreary visual experience that matches the tone of the dire story being told. The visual of Pete and Joey standing on the balcony admiring the view as they stare into a pitch black abyss stands out as a truly powerful piece of visual foreshadowing for their future. The city has nothing left for either men but darkness.
Goin' Down The Road is one of the bleakest depictions of Canadiana put on film. A sharp rebuke of both rural upbringing and big city life. Canada is treated as an unwelcoming, hopeless place. Just roads that lead to nowhere, and cities that give you nothing.
It's fascinating that this film has taken on the status that it has as a classic of Canadian cinema (having been a staple on cable TV in the 70s and 80s) because it really does hold up the mirror to the viewer to say "see, this is who we are. This is all we have." It's relative success could be a testament to Canadian willpower. A sign that we can be vulnerable and introspective. Or perhaps we are just gluttons for punishment. Either way, Goin' Down the Road is a tent pole of Canadian cinema for a reason, as it remains a powerful piece of work that sticks woth you.
Goin' Down The Road is one of the bleakest depictions of Canadiana put on film. A sharp rebuke of both rural upbringing and big city life. Canada is treated as an unwelcoming, hopeless place. Just roads that lead to nowhere, and cities that give you nothing.
It's fascinating that this film has taken on the status that it has as a classic of Canadian cinema (having been a staple on cable TV in the 70s and 80s) because it really does hold up the mirror to the viewer to say "see, this is who we are. This is all we have." It's relative success could be a testament to Canadian willpower. A sign that we can be vulnerable and introspective. Or perhaps we are just gluttons for punishment. Either way, Goin' Down the Road is a tent pole of Canadian cinema for a reason, as it remains a powerful piece of work that sticks woth you.
Shebib's Toronto is suffocating, claustrophobic, and monochromatic. It's dreariness drapes over the screen like a blanket of broken promises and unfulfilled potential. Pete and Joey are practically squeezed by the tight framing, as if the city is wringing them out for every drop it can get. The result is a truly dreary visual experience that matches the tone of the dire story being told. The visual of Pete and Joey standing on the balcony admiring the view as they stare into a pitch black abyss stands out as a truly powerful piece of visual foreshadowing for their future. The city has nothing left for either men but darkness.
Goin' Down The Road is one of the bleakest depictions of Canadiana put on film. A sharp rebuke of both rural upbringing and big city life. Canada is treated as an unwelcoming, hopeless place. Just roads that lead to nowhere, and cities that give you nothing.
It's fascinating that this film has taken on the status that it has as a classic of Canadian cinema (having been a staple on cable TV in the 70s and 80s) because it really does hold up the mirror to the viewer to say "see, this is who we are. This is all we have." It's relative success could be a testament to Canadian willpower. A sign that we can be vulnerable and introspective. Or perhaps we are just gluttons for punishment. Either way, Goin' Down the Road is a tent pole of Canadian cinema for a reason, as it remains a powerful piece of work that sticks woth you.
Goin' Down The Road is one of the bleakest depictions of Canadiana put on film. A sharp rebuke of both rural upbringing and big city life. Canada is treated as an unwelcoming, hopeless place. Just roads that lead to nowhere, and cities that give you nothing.
It's fascinating that this film has taken on the status that it has as a classic of Canadian cinema (having been a staple on cable TV in the 70s and 80s) because it really does hold up the mirror to the viewer to say "see, this is who we are. This is all we have." It's relative success could be a testament to Canadian willpower. A sign that we can be vulnerable and introspective. Or perhaps we are just gluttons for punishment. Either way, Goin' Down the Road is a tent pole of Canadian cinema for a reason, as it remains a powerful piece of work that sticks woth you.
JMadson
7.7★ · 02/20/22

Canadian Midnight Cowboy pretty much. The movie is good and entertaining to watch though I don’t think it does too much that is great. Doug McGrath and Paul Bradley are both very good and engaging and worth your time watch but never amazing. It is a classic buddy story of guys trying to make it big in the world and it works throughout. The setting seems to be a big important part of the story, but as an American, where New York is such a part of the story of Midnight Cowboy and I can appreciate its importance, Toronto doesn’t hit me as much to affect the mood like I assume it would for Canadians.
Canadian Midnight Cowboy pretty much. The movie is good and entertaining to watch though I don’t think it does too much that is great. Doug McGrath and Paul Bradley are both very good and engaging and worth your time watch but never amazing. It is a classic buddy story of guys trying to make it big in the world and it works throughout. The setting seems to be a big important part of the story, but as an American, where New York is such a part of the story of Midnight Cowboy and I can appreciate its importance, Toronto doesn’t hit me as much to affect the mood like I assume it would for Canadians.
Lily
5.7★ · 02/10/22
