The Hunting Party backdrop
The Hunting Party logo
1971·Western·1h 51m
7.0
A ruthless rancher, and his gang, use extremely long range rifles to kill the men who kidnapped his wife.
Directed by Don Medford
infidelity
wife
texas
ranch
rifle
outlaw
love
revenge
murder
gang
gunfight
humiliation
rich

Cast

Oliver Reed
Oliver Reed
Frank Calder
Candice Bergen
Candice Bergen
Melissa Ruger
Gene Hackman
Gene Hackman
Brandt Ruger
Simon Oakland
Simon Oakland
Matthew Gunn
Mitchell Ryan
Mitchell Ryan
Doc Harrison
L.Q. Jones
L.Q. Jones
Hog Warren
William Watson
William Watson
Jim Loring
G.D. Spradlin
G.D. Spradlin
Sam Bayard
Rayford Barnes
Rayford Barnes
Crimp
Ronald Howard
Ronald Howard
Watt Nelson
Bernard Kay
Bernard Kay
Buford King
Dean Selmier
Dean Selmier
Collins

Crew

Lou Morheim
Lou Morheim
Screenplay
Cecilio Paniagua
Cecilio Paniagua
Director of Photography
Arnold Laven
Arnold Laven
Executive Producer
Lou Morheim
Lou Morheim
Producer
Arthur Gardner
Arthur Gardner
Executive Producer
Lou Morheim
Lou Morheim
Story
Riz Ortolani
Riz Ortolani
Music
Enrique Alarcón
Enrique Alarcón
Art Direction
Alec Mills
Alec Mills
Camera Operator
Fiorella Mannoia
Fiorella Mannoia
Stunt Double
Riz Ortolani
Riz Ortolani
Conductor

Popular Reviews

6 reviews
Eric G
Eric G
The Hunting Party
This 55 years old movie still serves darkromance in the old fashioned way
This 55 years old movie still serves darkromance in the old fashioned way
Favorite
Comment
Matthew
Matthew
The Hunting Party
Well shot and directed but the characters kinda suck.
Well shot and directed but the characters kinda suck.
Favorite
Comment
jamblo
jamblo
The Hunting Party
So, it feels a bit weird to write this, but this movie would be better with, er, fewer rapes.
Produced, I’m fairly sure, as a pretty direct response to ‘The Wild Bunch’ (and specifically, the amount of bloodshed), ‘The Hunting Party’ introduces a load of bad people—Hackman’s sexually sadistic rancher, his crew of weasly, rich, daddy’s boy hunters, a slew of fairly run-of-the-mill henchmen, and Reed’s weird turn as what is supposed to be a handsome rogue (and who’d be vastly more interesting if he wasn’t so freakin’ rapey)—and Bergen as the damsel in distress (who isn’t even the target of the film’s abduction plot).
Once everyone is in play, you get to watch as Hackman decides he neither wants to pay a ransom (‘cause it’s his money) for his wife, but he also doesn’t want her back either, what with her probably (he assumes) carrying a child of rape at the hands of the bandits (‘cause it wouldn’t be his kid). So, using his new-fangled, extra long range rifles and scopes, proceeds to shoot, along with his flunkies, everyone in sight.
Meanwhile, apparently despite the rapes, Bergen’s character falls for Reed’s and hopes to ride off into the sunset with him, because (and again, in spite of the rapes) he’s somehow less of an asshole than her husband.
It’s a dark, grim film and not just because of it sexual politics and gore, but it seems it should also be read as another of the 70s era films that use Westerns as an allegory for the Vietnam War (for just one thing, the long guns here are a pretty obvious stand-in for helicopter gunners or even missiles). And while one could maybe make a case that the rapes which  (mainly) Bergen endures are also analogous, they seem badly mishandled and become too normalized to have the impact needed to make the point.
So yeah, less rapes would have helped the film. A lot.
So, it feels a bit weird to write this, but this movie would be better with, er, fewer rapes.
Produced, I’m fairly sure, as a pretty direct response to ‘The Wild Bunch’ (and specifically, the amount of bloodshed), ‘The Hunting Party’ introduces a load of bad people—Hackman’s sexually sadistic rancher, his crew of weasly, rich, daddy’s boy hunters, a slew of fairly run-of-the-mill henchmen, and Reed’s weird turn as what is supposed to be a handsome rogue (and who’d be vastly more interesting if he wasn’t so freakin’ rapey)—and Bergen as the damsel in distress (who isn’t even the target of the film’s abduction plot).
Once everyone is in play, you get to watch as Hackman decides he neither wants to pay a ransom (‘cause it’s his money) for his wife, but he also doesn’t want her back either, what with her probably (he assumes) carrying a child of rape at the hands of the bandits (‘cause it wouldn’t be his kid). So, using his new-fangled, extra long range rifles and scopes, proceeds to shoot, along with his flunkies, everyone in sight.
Meanwhile, apparently despite the rapes, Bergen’s character falls for Reed’s and hopes to ride off into the sunset with him, because (and again, in spite of the rapes) he’s somehow less of an asshole than her husband.
It’s a dark, grim film and not just because of it sexual politics and gore, but it seems it should also be read as another of the 70s era films that use Westerns as an allegory for the Vietnam War (for just one thing, the long guns here are a pretty obvious stand-in for helicopter gunners or even missiles). And while one could maybe make a case that the rapes which  (mainly) Bergen endures are also analogous, they seem badly mishandled and become too normalized to have the impact needed to make the point.
So yeah, less rapes would have helped the film. A lot.
Favorite
Comment
PFC
The Hunting Party
Favorite
Comment
George
George
The Hunting Party
Favorite
Comment