The Bayonne accent, cheap bars, big hair, and the ache of needing to be seen. Hysterical Blindness was Mira Nair’s seventh feature, between Monsoon Wedding (2001) and Vanity Fair (2004). One of the first films I remember that invited me to sit with the nature of women’s private hopes, desperations, and friendships.
The Bayonne accent, cheap bars, big hair, and the ache of needing to be seen. Hysterical Blindness was Mira Nair’s seventh feature, between Monsoon Wedding (2001) and Vanity Fair (2004). One of the first films I remember that invited me to sit with the nature of women’s private hopes, desperations, and friendships.
