60 Seconds of Solitude in Year Zero backdrop

60 Seconds of Solitude in Year Zero

2011·Drama·1h
7.1
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Directed by Kim Jee-woon and Ari Alexander Ergis Magnússon and Woo Ming Jin and Ronni Shendar and Rafi Pitts and Moon Kyung-won and Jorge Michel Grau and Pen-Ek Ratanaruang and Jes Benstock and Jussi Jaakola and Jussi Reittu and Ville Kerimaa and Vimukthi Jayasundara and Viktor Kaganovich and Veiko Õunpuu and Gakuryu Ishii and Mart Taniel and Simon Rumley and Bruce McClure and Jeon Kyu-hwan and Albert Serra and Tolga Karaçelik and Adam Wingard and Ken Jacobs and Dalpalan and Mark Boswell and Park Chan-wook and Marina Manushenko and Michael Glawogger and Feyyaz and Aku Louhimies and Amir Naderi and Tom Tykwer and Brian Yuzna and Malcolm Le Grice and Norbert Shieh and Mika Taanila and Eric Khoo and Shinji Aoyama and Maxì Dejoie and Andres Tenusaar and Edmund Yeo and Phie Ambo and Jan Ijäs and Kanakan-Balintagos and Naomi Kawase and Mark Cousins and Gustav Deutsch and Gereon Wetzel and Hafsteinn Gunnar Sigurðsson and Brillante Ma Mendoza and Arda Büyükata
anthology
avant-garde
short compilation
portmanteau
one time event

Crew

Kim Jee-woon
Kim Jee-woon
Director
Woo Ming Jin
Woo Ming Jin
Director
Rafi Pitts
Rafi Pitts
Director
Jorge Michel Grau
Jorge Michel Grau
Director
Pen-Ek Ratanaruang
Pen-Ek Ratanaruang
Director
Veiko Õunpuu
Veiko Õunpuu
Director
Gakuryu Ishii
Gakuryu Ishii
Director
Mart Taniel
Mart Taniel
Director
Simon Rumley
Simon Rumley
Director
Jeon Kyu-hwan
Jeon Kyu-hwan
Director
Albert Serra
Albert Serra
Director
Tolga Karaçelik
Tolga Karaçelik
Director

Popular Reviews

1 review
NothingRevealed
NothingRevealed
60 Seconds of Solitude in Year Zero
YouTube Link[](https://youtu.be/IAxWD4XHt18)

Unfortunately given the nature of this presentation, there is no way to watch the shorts screened at this event in their entirety outside of cam rips on YouTube recorded on a mobile phone (a HTC, to make things worse in 144p). Perhaps it was the right decision to immediately burn the 35mm film strip along with the screen and the projector along with the ending of these films.

Pretty cool concept, but there is a certain lack of substance to the concept and the shorts range from both mildly amusing to yawn-inducing. Bonus points for the director thought it would be great for a film revolving around the death of, or the end of "cinema" to film actual gravestones of relevant cinematic figures. Yeah, you heard that right. This collection of shorts revolve around a vague theme of cinema being a dying art. It concerns itself with something pretty pretentious and already slightly off-putting to some from the get go, especially given it exists almost ironically, despite being a showcase for world cinema. And what comes as not unexpected is most of the shorts weren't "perfect" or "organic" (to use language which fits the bill for what this collection stands for) enough for me and fails to live up to what they are trying to present through these movies anyways. The collection does have a few familiar names, however as mentioned in the other reviews - are merely abridged clips of previous work, and I would advise avoiding seeing a low quality recording of the third act of a nice film you are better off seeing in full.

Given the massively disrespectful and borderline ignorance of the message it displays, and executes quite half-heartedly, I wasn't disappointed due to the very few expectations I had, but it was very much ashamed I wasn't 100% entertained (sorry these posh short film anthologies just aren't for me). I can sort of understand the reasoning behind the message they have for us here, given how cinema has grown, fatiguing audiences and aren't as risky, experimental or as original as they used to be. Movie goers are conditioned to accept the familiar, the nostalgia of what was a success yesteryear. Among many other very valid points on the current industry and mainstream market for films. But I just can't relate when it fails to ignore that with cinema's popularity, it very much is a business, as well as an art form, with large scale productions, as much as it is an art form. And there will always be audiences, and a place for the experimental and very early methods of filmmaking in general, as long as "art" exists.

Honestly, if you have an hour to kill, I'd say there a multitude of alternative methods to spend those 60 minutes, but if you really want to see this, check out the ending where the whole thing goes up in flames (in both senses of the phrase), but from me however, this is a hard pass. The gimmick, I mean, the concept is fantastic regardless.
YouTube Link[](https://youtu.be/IAxWD4XHt18)

Unfortunately given the nature of this presentation, there is no way to watch the shorts screened at this event in their entirety outside of cam rips on YouTube recorded on a mobile phone (a HTC, to make things worse in 144p). Perhaps it was the right decision to immediately burn the 35mm film strip along with the screen and the projector along with the ending of these films.

Pretty cool concept, but there is a certain lack of substance to the concept and the shorts range from both mildly amusing to yawn-inducing. Bonus points for the director thought it would be great for a film revolving around the death of, or the end of "cinema" to film actual gravestones of relevant cinematic figures. Yeah, you heard that right. This collection of shorts revolve around a vague theme of cinema being a dying art. It concerns itself with something pretty pretentious and already slightly off-putting to some from the get go, especially given it exists almost ironically, despite being a showcase for world cinema. And what comes as not unexpected is most of the shorts weren't "perfect" or "organic" (to use language which fits the bill for what this collection stands for) enough for me and fails to live up to what they are trying to present through these movies anyways. The collection does have a few familiar names, however as mentioned in the other reviews - are merely abridged clips of previous work, and I would advise avoiding seeing a low quality recording of the third act of a nice film you are better off seeing in full.

Given the massively disrespectful and borderline ignorance of the message it displays, and executes quite half-heartedly, I wasn't disappointed due to the very few expectations I had, but it was very much ashamed I wasn't 100% entertained (sorry these posh short film anthologies just aren't for me). I can sort of understand the reasoning behind the message they have for us here, given how cinema has grown, fatiguing audiences and aren't as risky, experimental or as original as they used to be. Movie goers are conditioned to accept the familiar, the nostalgia of what was a success yesteryear. Among many other very valid points on the current industry and mainstream market for films. But I just can't relate when it fails to ignore that with cinema's popularity, it very much is a business, as well as an art form, with large scale productions, as much as it is an art form. And there will always be audiences, and a place for the experimental and very early methods of filmmaking in general, as long as "art" exists.

Honestly, if you have an hour to kill, I'd say there a multitude of alternative methods to spend those 60 minutes, but if you really want to see this, check out the ending where the whole thing goes up in flames (in both senses of the phrase), but from me however, this is a hard pass. The gimmick, I mean, the concept is fantastic regardless.
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Mathias
Mathias
60 Seconds of Solitude in Year Zero
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