There's an interesting touchpoint from Breillat in how different the age-gap sexual encounters work between A REAL YOUNG GIRL, 36 FILLETTE, FAT GIRL, and LAST SUMMER. More specifically how the first 3 of them focus on a much younger girl being taken advantage of by older men and then how Breillat flips that in her most recent work.
Great performances that are as equally powerful as they are disgusting. Typical from Breillat but nonetheless just as important for these airy, lived-in snapshots of feminine pubescence. No one does it better, and we're probably better off that no else is trying to out do Breillat either.
There's an interesting touchpoint from Breillat in how different the age-gap sexual encounters work between A REAL YOUNG GIRL, 36 FILLETTE, FAT GIRL, and LAST SUMMER. More specifically how the first 3 of them focus on a much younger girl being taken advantage of by older men and then how Breillat flips that in her most recent work.
Great performances that are as equally powerful as they are disgusting. Typical from Breillat but nonetheless just as important for these airy, lived-in snapshots of feminine pubescence. No one does it better, and we're probably better off that no else is trying to out do Breillat either.
