Wajib backdrop

Wajib

2017·Drama·1h 47m
7.1
After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.
Directed by Annemarie Jacir
palestine
parent child relationship

Cast

Mohammad Bakri
Mohammad Bakri
Abu Shadi
Saleh Bakri
Saleh Bakri
Shadi
Maria Zreik
Maria Zreik
Amal
Henry Andrawes
Henry Andrawes
Rami
Rana Alamuddin
Rana Alamuddin
Cousin Fadya
Sobhi Hosary
Sobhi Hosary
Salim
Ruba Bilal
Ruba Bilal
Rami's Wife

Crew

Annemarie Jacir
Annemarie Jacir
Director
Annemarie Jacir
Annemarie Jacir
Writer
Antoine Héberlé
Antoine Héberlé
Director of Photography

Popular Reviews

7 reviews
Bara
Wajib
this hit way too close to home. definitely got me thinking more about my post-college plans. do i move straight back home after college? do i start my career in the US and then come home? do i stay in the US?
this hit way too close to home. definitely got me thinking more about my post-college plans. do i move straight back home after college? do i start my career in the US and then come home? do i stay in the US?
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Sahil
Sahil
Wajib
Watching interviews with Annemarie Jacir, the director, it’s clear that she has very specific and passionate political views, but her film doesn’t take sides, its an open dissection of the people of Nazareth, or the surviors of Nazareth, as she likes to say...
*
*I’ve seen a a good number of bittersweet, slice-of-life films, but few of them happen to be very moving and provocative at the same time, Wajib does. Its essentially about family and community and at the core of it is the father-son relationship, what’s special about Wajib is that its apparent initial intent of political neutrality poses a difficult conundrum and oddly enough it ends up being its most powerful message : family can be the magic bullet for addressing social or political crisis. The choice of addressing serious themes with slight comedy was a genius one, amongst many others. In many instances, it reminded me of my own relationship with my parents and the difference in ideologies that exist, it’s something that radiates from Abu Shadi and Shadi’s time together, and the two actors who embody them: a father and son in real life.
Watching interviews with Annemarie Jacir, the director, it’s clear that she has very specific and passionate political views, but her film doesn’t take sides, its an open dissection of the people of Nazareth, or the surviors of Nazareth, as she likes to say...
*
*I’ve seen a a good number of bittersweet, slice-of-life films, but few of them happen to be very moving and provocative at the same time, Wajib does. Its essentially about family and community and at the core of it is the father-son relationship, what’s special about Wajib is that its apparent initial intent of political neutrality poses a difficult conundrum and oddly enough it ends up being its most powerful message : family can be the magic bullet for addressing social or political crisis. The choice of addressing serious themes with slight comedy was a genius one, amongst many others. In many instances, it reminded me of my own relationship with my parents and the difference in ideologies that exist, it’s something that radiates from Abu Shadi and Shadi’s time together, and the two actors who embody them: a father and son in real life.
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Chiheb
Chiheb
Wajib
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Josie
Josie
Wajib
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Abdo_fx
Wajib
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Wajib (2017) | Flick