Cocote backdrop
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2017·Drama·1h 46m
7.1
A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.
Directed by Nelson Carlos de los Santos Arias
revenge
grief
criticism
pool party
religious rite

Cast

Judith Rodriguez Perez
Judith Rodriguez Perez
Karina
Pepe Sierra
Pepe Sierra
Martínez
Ricardo Ariel Toribio
Ricardo Ariel Toribio
Asistente de Martínez

Crew

Nelson Carlos de los Santos Arias
Nelson Carlos de los Santos Arias
Director
Nelson Carlos de los Santos Arias
Nelson Carlos de los Santos Arias
Writer
Nelson Carlos de los Santos Arias
Nelson Carlos de los Santos Arias
Editor
Roman Kasseroller
Roman Kasseroller
Director of Photography
Andrés Farías Cintrón
Andrés Farías Cintrón
First Assistant Director

Popular Reviews

5 reviews
Karla Genesis
Karla Genesis
Cocote
Los rezos llegó a un punto que no aportaban nada en la historia y eso le da un bajón, me gusta la forma en la que retrata la hipocresía religiosa que existe en el país, sin embargo, siento que sobre utiliza recursos cinematográficos frecuentemente y cada vez que alguien miraba a la cámara me sacaba completamente de la historia.
Los rezos llegó a un punto que no aportaban nada en la historia y eso le da un bajón, me gusta la forma en la que retrata la hipocresía religiosa que existe en el país, sin embargo, siento que sobre utiliza recursos cinematográficos frecuentemente y cada vez que alguien miraba a la cámara me sacaba completamente de la historia.
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diego brando
diego brando
Cocote
A narrative told from the periphery, through the lives of those who exist on the margins of society. 

You, the viewer, watch from a distance, held at arm’s length. And yet, at times, you are up close and there. Not among them, not with them, but immersed in the environment itself. Present at church, drinking around a campfire, and down by the creek. The air is thick with repression and indignation. 

You oscillate between proximity and detachment. You witness a story not told from the center, but from the shadows where margins fray and lives quietly unfold against the backdrop of a world that rarely notices them. 

Primera película from the fatherland.
A narrative told from the periphery, through the lives of those who exist on the margins of society. 

You, the viewer, watch from a distance, held at arm’s length. And yet, at times, you are up close and there. Not among them, not with them, but immersed in the environment itself. Present at church, drinking around a campfire, and down by the creek. The air is thick with repression and indignation. 

You oscillate between proximity and detachment. You witness a story not told from the center, but from the shadows where margins fray and lives quietly unfold against the backdrop of a world that rarely notices them. 

Primera película from the fatherland.
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Stephanie C
Cocote
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Baz Luhrmann
Baz Luhrmann
Cocote
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Ale
Ale
Cocote
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