Jean de Rovera’s short documentary is more recreation than factual representation, putting more emphasis on the movement of body than anything else. It’s more art performance piece than anything else, dripping with a raw sensuality and appreciation for the male form.
Jean de Rovera’s short documentary is more recreation than factual representation, putting more emphasis on the movement of body than anything else. It’s more art performance piece than anything else, dripping with a raw sensuality and appreciation for the male form.
