La Rabbia backdrop

La Rabbia

1963·Documentary·1h 44m
7.1
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
Directed by Pier Paolo Pasolini and Giovannino Guareschi

Cast

Giorgio Bassani
Giorgio Bassani
Poetry Narrator - Part One (voice)
Renato Guttuso
Renato Guttuso
Prose Narrator - Part One (voice)
Carlo Romano
Carlo Romano
Narrator - Part Two (voice)
Charles de Gaulle
Charles de Gaulle
Self (archive footage)
Dwight D. Eisenhower
Dwight D. Eisenhower
Self (archive footage)
Yuri Gagarin
Yuri Gagarin
Self (archive footage)
Ava Gardner
Ava Gardner
Self (archive footage)
Nikita Khrushchev
Nikita Khrushchev
Self (archive footage)
Vladimir Lenin
Vladimir Lenin
Self (archive footage)
Sophia Loren
Sophia Loren
Self (archive footage)
Marilyn Monroe
Marilyn Monroe
Self (archive footage)
John XXIII.
John XXIII.
Self (archive footage)

Crew

Pier Paolo Pasolini
Pier Paolo Pasolini
Director
Pier Paolo Pasolini
Pier Paolo Pasolini
Writer
Pier Paolo Pasolini
Pier Paolo Pasolini
Editor
Nino Baragli
Nino Baragli
Editor

Popular Reviews

8 reviews
GIovanni Giovane
GIovanni Giovane
La Rabbia
Visto parte solo di Pasolini, spacca
Visto parte solo di Pasolini, spacca
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Vinzz
Vinzz
La Rabbia
Perché la nostra vita è dominata dalla scontentezza, dall'angoscia, dalla paura della guerra, dalla guerra?

IMBARAZZANTE il modo in cui Pasolini ha creato e sostenuto un punto, mentre Guareschi è sembrato riuscire ad esprimere la propria opinione solamente contraddicendo il mister ppp.
La neve dell'anno scorso, o forse di mille anni fa
Perché la nostra vita è dominata dalla scontentezza, dall'angoscia, dalla paura della guerra, dalla guerra?

IMBARAZZANTE il modo in cui Pasolini ha creato e sostenuto un punto, mentre Guareschi è sembrato riuscire ad esprimere la propria opinione solamente contraddicendo il mister ppp.
La neve dell'anno scorso, o forse di mille anni fa
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laurel
laurel
La Rabbia
Pasolini’s part: poetic, sincere, passionateGuareschi’s part: 💩

“Achieving such intimacy with wealth, as to confound nature with wealth. So lost in the world of wealth, as to confound history with wealth. So sweetened by wealth, as to link with God the idea of wealth.”“Your beauty surviving from the ancient world, requested by the future world, possessed by the present world; so became a mortal sickness.”And with this, I am now 90% through everything directed by Pasolini. I’ve decided to leave the Canterbury Tales for last, and then gonna go full circle back to Saló after I finish reading Una Vita Violenta and a few other pieces of his writing.
Pasolini’s part: poetic, sincere, passionateGuareschi’s part: 💩

“Achieving such intimacy with wealth, as to confound nature with wealth. So lost in the world of wealth, as to confound history with wealth. So sweetened by wealth, as to link with God the idea of wealth.”“Your beauty surviving from the ancient world, requested by the future world, possessed by the present world; so became a mortal sickness.”And with this, I am now 90% through everything directed by Pasolini. I’ve decided to leave the Canterbury Tales for last, and then gonna go full circle back to Saló after I finish reading Una Vita Violenta and a few other pieces of his writing.
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el Goat
La Rabbia
this sounds like rabbit
this sounds like rabbit
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Gasps
Gasps
La Rabbia
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La Rabbia (1963) | Flick