

1966·Drama·2h 8m
7.0
★








A girl on the road to stardom fights the dehumanizing effects of Hollywood life.
Directed by Robert Mulligan
beach
movie business
marriage of convenience
hollywood
aspiring actor
old hollywood

Trailer

IMDB
N/A
Where to Watch



Cast

Natalie Wood
Daisy Clover

Christopher Plummer
Raymond Swan

Robert Redford
Wade Lewis / Lewis Wade

Ruth Gordon
The Dealer - Mrs. Clover

Roddy McDowall
Walter Baines

Katharine Bard
Melora Swan

Peter Helm
Milton Hopwood

Harold Gould
Cop on Pier

Ottola Nesmith
Dolores

Edna Holland
Cynara

Gertrude Flynn
Daisy's Nurse (uncredited)

Merv Griffin
Radio Announcer (voice) (uncredited)
Crew

Robert Mulligan
Director

André Previn
Original Music Composer

Charles Lang
Director of Photography

Alan J. Pakula
Producer

Herbert Ross
Choreographer

Edith Head
Costume Design
Popular Reviews
18 reviews
Abie
7.0★ · 01/01/26

There are a few things I liked and didn’t like about this film. Basically, it talks about the dark side of Hollywood, how manipulative the industry can be, and how it changes stars’ identities so the public never really knows who they are. Daisy is a clear example she’s forced to fake her identity for Hollywood, and it slowly destroys her mental health.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
There are a few things I liked and didn’t like about this film. Basically, it talks about the dark side of Hollywood, how manipulative the industry can be, and how it changes stars’ identities so the public never really knows who they are. Daisy is a clear example she’s forced to fake her identity for Hollywood, and it slowly destroys her mental health.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
ebby
7.0★ · 01/01/26

There are a few things I liked and didn’t like about this film. Basically, it talks about the dark side of Hollywood, how manipulative the industry can be, and how it changes stars’ identities so the public never really knows who they are. Daisy is a clear example she’s forced to fake her identity for Hollywood, and it slowly destroys her mental health.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
There are a few things I liked and didn’t like about this film. Basically, it talks about the dark side of Hollywood, how manipulative the industry can be, and how it changes stars’ identities so the public never really knows who they are. Daisy is a clear example she’s forced to fake her identity for Hollywood, and it slowly destroys her mental health.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
That said, something felt a bit off while I was watching. Some parts feel jumpy, like certain scenes were cut out. One example is Wade’s sexuality. He’s supposed to be bisexual (originally written as gay, but changed in the film). There was meant to be a scene where he drunkenly calls his male lover in New York, but it was cut from the final release. Even without that scene, it’s still implied through Melora when she’s drunk, and later in the poolside scene with Daisy asleep, when Raymond mentions a “secret life.”
This is also backed up by Robert Redford himself, who confirmed in several interviews that Wade is bisexual. Overall, I’d give this film a 3.5/5.
Addie Pray
5.0★ · 09/25/25

That’s the ugliest wig I’ve ever seen.
Robert Redford’s opening scene in this is basically the 60s, better, original version of Brad Pitt’s scene in Thelma and Louise if you think about it.
Robert Redford’s opening scene in this is basically the 60s, better, original version of Brad Pitt’s scene in Thelma and Louise if you think about it.
That’s the ugliest wig I’ve ever seen.
Robert Redford’s opening scene in this is basically the 60s, better, original version of Brad Pitt’s scene in Thelma and Louise if you think about it.
Robert Redford’s opening scene in this is basically the 60s, better, original version of Brad Pitt’s scene in Thelma and Louise if you think about it.
livimingPRO
1.0★ · 07/22/25

tf did i js spend two hours watching 😐
tf did i js spend two hours watching 😐
Ned
3.6★ · 06/22/25

Guys I had to DNF this I’m sorry. What a bad movie. Maybe it got better in the second half that I didn’t watch but from what I’ve heard NOT TRUE. I get two skips for this challenge anyway. My birthday is also August 24th. Christopher Plummer scare the fuck out of me. Daisy clover and wade lewis should have been given T and E and they would have made a great T4T couple. Can I say that? Anyway he was supposed to be fully gay in this and they changed him to a post-credit bisexual (I read the Wikipedia) so fml. Natalie wood come back to us
Next: The chase
Next: The chase
Guys I had to DNF this I’m sorry. What a bad movie. Maybe it got better in the second half that I didn’t watch but from what I’ve heard NOT TRUE. I get two skips for this challenge anyway. My birthday is also August 24th. Christopher Plummer scare the fuck out of me. Daisy clover and wade lewis should have been given T and E and they would have made a great T4T couple. Can I say that? Anyway he was supposed to be fully gay in this and they changed him to a post-credit bisexual (I read the Wikipedia) so fml. Natalie wood come back to us
Next: The chase
Next: The chase