the whole movie felt like sleepwalking through a boring dream. the only things keeping me awake were her tiny kitty and that suspiciously spacious parisian apartment.

the whole movie felt like sleepwalking through a boring dream. the only things keeping me awake were her tiny kitty and that suspiciously spacious parisian apartment.

they had me, then they lost me… and then they had me, then they lost me again… like almost a good movie if it wasn’t such a slug to get through, i feel this way about most french new wave films: i love the concepts, but am never a fan of the execution. very stunning visually, adore the costuming and all the handheld shots! it makes everything feel more personal. cute kittens too, i like when the little tuxedo one is playing with the end of her robe :3

they had me, then they lost me… and then they had me, then they lost me again… like almost a good movie if it wasn’t such a slug to get through, i feel this way about most french new wave films: i love the concepts, but am never a fan of the execution. very stunning visually, adore the costuming and all the handheld shots! it makes everything feel more personal. cute kittens too, i like when the little tuxedo one is playing with the end of her robe :3

i think my fear is gone. i think i’m happy.

long live agnès varda.

i think my fear is gone. i think i’m happy.

long live agnès varda.

Not that i really understood everything (i watched this last night and it means, that i was very sleepy) but this might be one of the most beautiful films i’ve seen. That explains, because Agnes Varda was a photographer before stepping into filmmaking. 

Ive never seen The Godfather or La La land, but discovering Varda and these cool movements (French New Wave, Dogme 95…) really changed my perspective of cinema. I could’ve never imagined, that filmmaking hides something deep inside of it… Sure, it mainly consists of watching films and, possibly, realizing your ideas in films, but not so long ago i found out, that cinema is a whole another world of excellent stuff, that i could NOT explain… 

I have to address something… There is no starting point (or a limit) of witnessing a movie! As long as you are passionate about it, you could be at the same level of, i dont know, Martin Scorsese? (pretty big comparison) I haven’t watched Anora or Shaun of The Dead, but that doesnt stop me from becoming a filmmaker..

Not that i really understood everything (i watched this last night and it means, that i was very sleepy) but this might be one of the most beautiful films i’ve seen. That explains, because Agnes Varda was a photographer before stepping into filmmaking. 

Ive never seen The Godfather or La La land, but discovering Varda and these cool movements (French New Wave, Dogme 95…) really changed my perspective of cinema. I could’ve never imagined, that filmmaking hides something deep inside of it… Sure, it mainly consists of watching films and, possibly, realizing your ideas in films, but not so long ago i found out, that cinema is a whole another world of excellent stuff, that i could NOT explain… 

I have to address something… There is no starting point (or a limit) of witnessing a movie! As long as you are passionate about it, you could be at the same level of, i dont know, Martin Scorsese? (pretty big comparison) I haven’t watched Anora or Shaun of The Dead, but that doesnt stop me from becoming a filmmaker..

**“Have you ever been in love? **
Often, but never as deeply as I wanted. Girls just like to be loved. They're afraid to give themselves, to lose something. They love by halves. Their bodies are playthings, not their lives. So I stop halfway too.”

**“Have you ever been in love? **
Often, but never as deeply as I wanted. Girls just like to be loved. They're afraid to give themselves, to lose something. They love by halves. Their bodies are playthings, not their lives. So I stop halfway too.”