

2018·Mystery·1h 30m
6.9
★













Joe, a down-on-his-luck truck driver haunted by the memory of his deceased wife and child, meets Julie, a spiritually gifted woman who enlists his help in a desperate effort to find the lost soul of her comatose daughter. But the spirit of Joe's dead wife proves stronger, possessing the young woman's body and determined to settle her unfinished business with the living.
Directed by Maria Pulera
spirit
woman director
lost soul

Trailer

IMDB
N/A
Where to Watch



Cast

Nicolas Cage
Joe

Franka Potente
Julie

Penelope Mitchell
Billie

Garrett Clayton
Mike

Hopper Penn
Rick

Lydia Hearst
Mary

Nailim Sanchez
Jasmine

Richard Pait
Larry

Brit Shaw
Lettie

David Lee Smith
Kirby

Gwendolyn Mulamba
Nurse Astrid

Nora Anderson
Young Mary
Crew

Maria Pulera
Director

Maria Pulera
Writer

Tim Silano
Editor

Jim Agnew
Executive Producer

Maria Pulera
Producer

Aidan Dykes
ADR Mixer

Brett Murray
Sound Mixer

Rudolf Weber
Stunt Coordinator

Richard Marrero
Stunt Driver

Kevin Waterman
Stunt Driver

Daniel Loesch
Stunt Double

Richard Fike
Stunt Driver
Popular Reviews
26 reviews
thomo
2.0★ · 05/15/26

1 Star film, 5 Star Cage performance. many such cases.
1 Star film, 5 Star Cage performance. many such cases.
Alfred HitchTOK
7.0★ · 07/31/25

Between Worlds is an apt title as this films exists in the space been terrible and batshit insanely awesome and I kind of love it? That the director is so obviously a fan of David Lynch and that this film is so heavily Lynch coded throughout gives me a dose of the warm and fuzzies, but also don’t get me wrong, a loving tribute this may be, but it is no Lynch movie.
Cage is a redneck named Joe (waitasecond…) who assists Julia (Franka Potente) with a strangulation triggered (don’t ask) ethereal rescue of her comatose daughter Billie (Penelope Mitchell). But did Julia rescue Billie or did she accidentally attract the attention of Joe’s dead wife seeking an escape from the afterlife…
Director Maria Pulera has stamped her love of Lynch of all over this with an Angelo Badalamenti theme song, the use of Marilyn Manson’s Lost Highway contribution ‘I put a Spell on You’, a blatant rip off of Badalamenti’s own Peaks soundtrack from composer Jason Solowsky and a Nic Cage obsessed with snake skin. But not a Snakeskin jacket as a symbol of his individuality and belief in personal freedom, rather a pair of snakeskin man panties that Cage wears when Julia catches him banging her daughter that is inhabited by the spirit of his dead wife.
It’s not a red curtain and jazz singing Lynch. It’s a Leo Johnson trucker, backyard BBQ and Big Tuna Texas kind of a Lynch.
And yet it’s also outlandishly parodical, particularly where Cage, involved in a hot and heavy love making session with the pretty damn tasty Aussie starlet Mitchell, starts to read aloud from a Nicolas Cage penned book of sex memoirs?!
Also the bike washing scene!?!
Cage is a redneck named Joe (waitasecond…) who assists Julia (Franka Potente) with a strangulation triggered (don’t ask) ethereal rescue of her comatose daughter Billie (Penelope Mitchell). But did Julia rescue Billie or did she accidentally attract the attention of Joe’s dead wife seeking an escape from the afterlife…
Director Maria Pulera has stamped her love of Lynch of all over this with an Angelo Badalamenti theme song, the use of Marilyn Manson’s Lost Highway contribution ‘I put a Spell on You’, a blatant rip off of Badalamenti’s own Peaks soundtrack from composer Jason Solowsky and a Nic Cage obsessed with snake skin. But not a Snakeskin jacket as a symbol of his individuality and belief in personal freedom, rather a pair of snakeskin man panties that Cage wears when Julia catches him banging her daughter that is inhabited by the spirit of his dead wife.
It’s not a red curtain and jazz singing Lynch. It’s a Leo Johnson trucker, backyard BBQ and Big Tuna Texas kind of a Lynch.
And yet it’s also outlandishly parodical, particularly where Cage, involved in a hot and heavy love making session with the pretty damn tasty Aussie starlet Mitchell, starts to read aloud from a Nicolas Cage penned book of sex memoirs?!
Also the bike washing scene!?!
Between Worlds is an apt title as this films exists in the space been terrible and batshit insanely awesome and I kind of love it? That the director is so obviously a fan of David Lynch and that this film is so heavily Lynch coded throughout gives me a dose of the warm and fuzzies, but also don’t get me wrong, a loving tribute this may be, but it is no Lynch movie.
Cage is a redneck named Joe (waitasecond…) who assists Julia (Franka Potente) with a strangulation triggered (don’t ask) ethereal rescue of her comatose daughter Billie (Penelope Mitchell). But did Julia rescue Billie or did she accidentally attract the attention of Joe’s dead wife seeking an escape from the afterlife…
Director Maria Pulera has stamped her love of Lynch of all over this with an Angelo Badalamenti theme song, the use of Marilyn Manson’s Lost Highway contribution ‘I put a Spell on You’, a blatant rip off of Badalamenti’s own Peaks soundtrack from composer Jason Solowsky and a Nic Cage obsessed with snake skin. But not a Snakeskin jacket as a symbol of his individuality and belief in personal freedom, rather a pair of snakeskin man panties that Cage wears when Julia catches him banging her daughter that is inhabited by the spirit of his dead wife.
It’s not a red curtain and jazz singing Lynch. It’s a Leo Johnson trucker, backyard BBQ and Big Tuna Texas kind of a Lynch.
And yet it’s also outlandishly parodical, particularly where Cage, involved in a hot and heavy love making session with the pretty damn tasty Aussie starlet Mitchell, starts to read aloud from a Nicolas Cage penned book of sex memoirs?!
Also the bike washing scene!?!
Cage is a redneck named Joe (waitasecond…) who assists Julia (Franka Potente) with a strangulation triggered (don’t ask) ethereal rescue of her comatose daughter Billie (Penelope Mitchell). But did Julia rescue Billie or did she accidentally attract the attention of Joe’s dead wife seeking an escape from the afterlife…
Director Maria Pulera has stamped her love of Lynch of all over this with an Angelo Badalamenti theme song, the use of Marilyn Manson’s Lost Highway contribution ‘I put a Spell on You’, a blatant rip off of Badalamenti’s own Peaks soundtrack from composer Jason Solowsky and a Nic Cage obsessed with snake skin. But not a Snakeskin jacket as a symbol of his individuality and belief in personal freedom, rather a pair of snakeskin man panties that Cage wears when Julia catches him banging her daughter that is inhabited by the spirit of his dead wife.
It’s not a red curtain and jazz singing Lynch. It’s a Leo Johnson trucker, backyard BBQ and Big Tuna Texas kind of a Lynch.
And yet it’s also outlandishly parodical, particularly where Cage, involved in a hot and heavy love making session with the pretty damn tasty Aussie starlet Mitchell, starts to read aloud from a Nicolas Cage penned book of sex memoirs?!
Also the bike washing scene!?!
Marley
2.0★ · 01/21/25

I will currently watch ANYTHING but a good movie
I will currently watch ANYTHING but a good movie
Wyatt
5.0★ · 10/17/24

Certified Cager, anytime you make his character a drunk you know hes got a crazy crash out scene coming
Certified Cager, anytime you make his character a drunk you know hes got a crazy crash out scene coming
Maranda
8.0★ · 09/12/24

The gator shirt stays on during sex 😎
The gator shirt stays on during sex 😎