Casino is Scorsese’s victory lap following Goodfellas. Same narration, same kinetic editing, same jukebox gold music. But when you might expect Ray Liotta's aspiring swagger, you get De Niro's insane control freak and Pesci's hardly restrained beast. There's no one to cheer for and that’s the purpose of this film.
Casino is topped by what? Sharon Stone. ( She’s the heart and the wound of the movie). She’s a hustler who thinks she’s won the lotto, only to eventually learn she’s traded one trap for another. Her performance is gritty, demanding, unforgettable.
What works less well? The run-time. It's an almost three hour movie and you feel every storyline, every voiceover twist, every time Ace explains the skim for the umpteenth time. The middle drags just enough to be noticed. Not enough to spoil it, but enough to make it not perfect.
But when it works, the desert, the last leg of bodies and burnouts, it’s pure Scorsese. Shiny, brutish, and very skeptical about what money does to humans.
Masterpiece that needs another trim. I shouldve watch it back to back with Goodfellas since it would give me time to ask yourself which one I genuinely like.
Casino is Scorsese’s victory lap following Goodfellas. Same narration, same kinetic editing, same jukebox gold music. But when you might expect Ray Liotta's aspiring swagger, you get De Niro's insane control freak and Pesci's hardly restrained beast. There's no one to cheer for and that’s the purpose of this film.
Casino is topped by what? Sharon Stone. ( She’s the heart and the wound of the movie). She’s a hustler who thinks she’s won the lotto, only to eventually learn she’s traded one trap for another. Her performance is gritty, demanding, unforgettable.
What works less well? The run-time. It's an almost three hour movie and you feel every storyline, every voiceover twist, every time Ace explains the skim for the umpteenth time. The middle drags just enough to be noticed. Not enough to spoil it, but enough to make it not perfect.
But when it works, the desert, the last leg of bodies and burnouts, it’s pure Scorsese. Shiny, brutish, and very skeptical about what money does to humans.
Masterpiece that needs another trim. I shouldve watch it back to back with Goodfellas since it would give me time to ask yourself which one I genuinely like.