Baumbach's most unjustly overlooked film, and the one where the Woody Allen influence is at its most legible, which is funny, because Baumbach was my entry point into Allen in the first place. I came looking for more of what Baumbach does, and found the source. the debt is clearest here.
what makes it work is the writing. there are no real jokes, yet the film is consistently funny, the humor lives entirely in the precision of the dialogue and the oddity of the situations, the way intelligent people articulate neurotic impulses with complete earnestness.
Chris Eigeman is, predictably, wonderful, he arrived fully formed somewhere in the Stillman films and has never really needed to adjust. what I found myself most drawn to, though, is the Lester-Dashiell dynamic. male cattiness is an almost entirely unexplored register in fiction.
Baumbach's most unjustly overlooked film, and the one where the Woody Allen influence is at its most legible, which is funny, because Baumbach was my entry point into Allen in the first place. I came looking for more of what Baumbach does, and found the source. the debt is clearest here.
what makes it work is the writing. there are no real jokes, yet the film is consistently funny, the humor lives entirely in the precision of the dialogue and the oddity of the situations, the way intelligent people articulate neurotic impulses with complete earnestness.
Chris Eigeman is, predictably, wonderful, he arrived fully formed somewhere in the Stillman films and has never really needed to adjust. what I found myself most drawn to, though, is the Lester-Dashiell dynamic. male cattiness is an almost entirely unexplored register in fiction.