All My Loving
2019·Drama·1h 56m
Three siblings have all reached a point of their life, at which they realize the need to quickly change some things before they step into the second half of their lifetime. In the midst of chaos, insufficiency and loss they are searching for the path that just might lead them to happiness.
Directed by Edward Berger
IMDB
N/A
Cast
Lars Eidinger
Stefan
Nele Mueller-Stöfen
Julia
Hans Löw
Tobias
Manfred Zapatka
Pit Hoffmann
Christine Schorn
Ebba Hoffmann
Godehard Giese
Christian
Franziska Hartmann
Maren
Philipp Hochmair
Nico
Anna Ferzetti
Livia
Valerie Pachner
Klara
Zsá Zsá Inci Bürkle
Lisa
Valerie Koch
Jennifer
Crew
Edward Berger
Director
Nele Mueller-Stöfen
Screenplay
Edward Berger
Screenplay
Barbara Toennieshen
Editor
Edward Berger
Co-Producer
Popular Reviews
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“Every year, about 100 million records are born. A hit song can earn more in 12 months than most people earn in a lifetime. The revenue of one publishing company during the last five years exceeds the total famine relief sent to India during the last ten. With such resources, pop has become the most powerful selling medium of all time. The product will sell easily if the sound is right, so those who make the sound must be dressed, and photographed, and behave in a way that society, which sponsored them, expects. Thus, in newspapers, on television, and on radio, pop is the language of profit. Such, today, is the price of acceptance.”There’s actually lots of valuable information and knowledge scattered all around this documentary but it’s just generally very badly executed. There’s no real structure, no organization whatsoever, the editing is terrible and the sound quality is literally shit which is probably what affects the project most over all its flaws. How can one make a music doc without treating its sound properly?
“Every year, about 100 million records are born. A hit song can earn more in 12 months than most people earn in a lifetime. The revenue of one publishing company during the last five years exceeds the total famine relief sent to India during the last ten. With such resources, pop has become the most powerful selling medium of all time. The product will sell easily if the sound is right, so those who make the sound must be dressed, and photographed, and behave in a way that society, which sponsored them, expects. Thus, in newspapers, on television, and on radio, pop is the language of profit. Such, today, is the price of acceptance.”There’s actually lots of valuable information and knowledge scattered all around this documentary but it’s just generally very badly executed. There’s no real structure, no organization whatsoever, the editing is terrible and the sound quality is literally shit which is probably what affects the project most over all its flaws. How can one make a music doc without treating its sound properly?
