This was a sad, melancholic, amusing, human experience that really got me in the end like, tears were coming out of my eyes.

I guess you see some films rated a 3.5 and go ah okay, but don’t be fooled, a 3.5 is a fantastic rating and Driveways is proof of that, this is a great film.

This was a sad, melancholic, amusing, human experience that really got me in the end like, tears were coming out of my eyes.

I guess you see some films rated a 3.5 and go ah okay, but don’t be fooled, a 3.5 is a fantastic rating and Driveways is proof of that, this is a great film.

There’s a softness to the film that makes grief feel shared rather than isolating. Watching these characters connect across age and loneliness feels like being reminded that kindness doesn’t have to be loud to matter.

There’s a softness to the film that makes grief feel shared rather than isolating. Watching these characters connect across age and loneliness feels like being reminded that kindness doesn’t have to be loud to matter.

wholesome made me smile :,)

wholesome made me smile :,)

lowk this was a good movie. 
but like can i just bring up the fact that cody is so fucking zesty. like that little boy is gay. on my ass crack he is. 
anyways this was a good movie. shows how time moves quick. growing old is just part of life. regrets and wishes stick with us. the wish for time to slow down in the moment. be deliberate. the plot was good tho but the mom SHE PISSES ME OFF OH MY DAYS

lowk this was a good movie. 
but like can i just bring up the fact that cody is so fucking zesty. like that little boy is gay. on my ass crack he is. 
anyways this was a good movie. shows how time moves quick. growing old is just part of life. regrets and wishes stick with us. the wish for time to slow down in the moment. be deliberate. the plot was good tho but the mom SHE PISSES ME OFF OH MY DAYS

Gentle, aching, and disarmingly humane—Driveways is the kind of film that sits quietly beside you, then leaves you unexpectedly changed. Andrew Ahn finds poetry in the pauses, in glances across porches and the weight of unspoken grief. Hong Chau and Brian Dennehy deliver performances so full of grace it almost hurts. A soft-spoken elegy for connection, made with compassion and restraint.

Gentle, aching, and disarmingly humane—Driveways is the kind of film that sits quietly beside you, then leaves you unexpectedly changed. Andrew Ahn finds poetry in the pauses, in glances across porches and the weight of unspoken grief. Hong Chau and Brian Dennehy deliver performances so full of grace it almost hurts. A soft-spoken elegy for connection, made with compassion and restraint.