Nina hoss, the woman you are. This movie is a emotional turmoil, even more than one, expressed in violins and cold tones. I enjoyed particularly how anna is not the only character with questionable actions, since it makes the story far more raw and with an extremely interesting portrayal of humanity. One thing that caught my eye was how you know more of the character when she spoke to the lover, rather than with the husband, since with the former, she is who tells him about herself, while from the later, you get to know what anna was from another perspective, and with a more sympathetic light, hoping she was still the youngling who played the violin with vigor and hope, rather than melancholy and passion, bordering self-destruction.
Nina hoss, the woman you are. This movie is a emotional turmoil, even more than one, expressed in violins and cold tones. I enjoyed particularly how anna is not the only character with questionable actions, since it makes the story far more raw and with an extremely interesting portrayal of humanity. One thing that caught my eye was how you know more of the character when she spoke to the lover, rather than with the husband, since with the former, she is who tells him about herself, while from the later, you get to know what anna was from another perspective, and with a more sympathetic light, hoping she was still the youngling who played the violin with vigor and hope, rather than melancholy and passion, bordering self-destruction.
