❝Survival is the only rule left.❞
𐄁─────⋆⁺‧₊☽ ◯ ☾₊‧⁺⋆─────𐄁
Peninsula is nowhere near as good as its predecessor, but it's still a lot of fun. It's a bit less serious and way more Mad Max, which I love (not as big on the CGI, though), and though the plot is muddled in areas, there are some great moments (e.g. the humans vs zombies colosseum-esque battles). I think what sets Train to Busan apart are the well-written emotional scenes, which are also what a lot of people find the most memorable about it. Peninsula is missing a lot of sadness, though it does certainly try, and that may be part of why it was not received as well. I'll be honest, I started watching this for Koo Kyo-hwan, and he was brilliant, but on the whole the cast did the best they could with the script. So, don't let the negative reviews put you off from watching this, and give it a go; at the very least you'll get to see Kyo-hwan and Gang Dong-won.
❝Survival is the only rule left.❞
𐄁─────⋆⁺‧₊☽ ◯ ☾₊‧⁺⋆─────𐄁
Peninsula is nowhere near as good as its predecessor, but it's still a lot of fun. It's a bit less serious and way more Mad Max, which I love (not as big on the CGI, though), and though the plot is muddled in areas, there are some great moments (e.g. the humans vs zombies colosseum-esque battles). I think what sets Train to Busan apart are the well-written emotional scenes, which are also what a lot of people find the most memorable about it. Peninsula is missing a lot of sadness, though it does certainly try, and that may be part of why it was not received as well. I'll be honest, I started watching this for Koo Kyo-hwan, and he was brilliant, but on the whole the cast did the best they could with the script. So, don't let the negative reviews put you off from watching this, and give it a go; at the very least you'll get to see Kyo-hwan and Gang Dong-won.
