So Long, Stooge backdrop
So Long, Stooge logo
1983·Drama·1h 34m
7.1
In the 18th Arrondissement of Paris, Lambert, an aloof garage manager working the night shift at a petrol station spends his time drinking on the job, content in his own company. One night, Bensoussan, a small-time drug pusher in dire straits falls in on a stolen moped pretending to need a spark plug. The two men develop an unlikely friendship.
Directed by Claude Berri
punk rock
revenge
motorcycle

Cast

Coluche
Coluche
Lambert
Agnès Soral
Agnès Soral
Lola
Richard Anconina
Richard Anconina
Youseff Bensoussan
Mahmoud Zemmouri
Mahmoud Zemmouri
Rachid, un intermédiaire
Philippe Léotard
Philippe Léotard
Bauer
Albert Dray
Albert Dray
Sylvio, un grossiste de la « cam »
Annie Kerani
Annie Kerani
la jeune femme noire
Vincent Martin
Vincent Martin
le second client de la station

Crew

Claude Berri
Claude Berri
Director
Claude Berri
Claude Berri
Screenplay
Charlélie Couture
Charlélie Couture
Original Music Composer
Hervé de Luze
Hervé de Luze
Editor
Bruno Nuytten
Bruno Nuytten
Director of Photography
Pierre Grunstein
Pierre Grunstein
Producer
Christian Spillemaecker
Christian Spillemaecker
Producer
Didier Lavergne
Didier Lavergne
Makeup Artist
Raïna Raï
Raïna Raï
Music
Alexandre Trauner
Alexandre Trauner
Production Design
Ludovic Paris
Ludovic Paris
Hairstylist
Jean-Louis Monthieux
Jean-Louis Monthieux
Unit Manager

Popular Reviews

31 reviews
Sam Stevens
Sam Stevens
So Long, Stooge
Absolute brilliance, this is an exceptionally gritty and pretty uncomfortable neo-noir set in the rainy streets of Paris. This bleak tale follows an exhausted and rather depressed older man called Lambert (played by Coluche), who works in a petrol station and lives a lonely life of mundane routine and heavy drinking. He ends up meeting a young ambitious man called Bensoussan, who’s naively involved in the criminal underworld, a young man who’s later (implicitly) revealed to be strikingly similar to his son. Lambert and Bensoussan develop a very nuanced but close relationship of deep understanding and unspoken care.
What I really like about this film is the pure rawness and emptiness of the violent scenes and how visceral all these actions seem, it really gives the film an extra edge of devastation that perfectly compliments the emotional weight of the relationships.
Stylistically this film is terrifically naturalistic and very grounded, its drenched in sweaty darkness and has a real-life grit to it that makes it feel incomparable to many other neo-noirs. The characters are also presented in a kind of anti-cool manner, an older and rather fat man who works in a petrol station goes around on a dangerous redemption arc that leads to many deaths and ultimately his own; this is not meant to come across as overly cool, to be honest it kind of is very sick in its own quite sad nature. Anyways I think this desired portrayal is another layer of complex realness, showing how a real-life ‘protagonist’ isn’t normally a slick and well dressed character but a detached and self-destructive old fat guy.
I thought this film was the perfect ratio of stylishness and bleak emotional weight. Even though I haven’t written too much about it, trust me I loved Tchao Pantin.

Also the limited edition (to 3000 copies) radiance blu ray of this film is so excellent, with gorgeous packaging and a very detailed little booklet, some great special features and a 4k restoration from Pathé which looks stunning. Radiance is superb.
Absolute brilliance, this is an exceptionally gritty and pretty uncomfortable neo-noir set in the rainy streets of Paris. This bleak tale follows an exhausted and rather depressed older man called Lambert (played by Coluche), who works in a petrol station and lives a lonely life of mundane routine and heavy drinking. He ends up meeting a young ambitious man called Bensoussan, who’s naively involved in the criminal underworld, a young man who’s later (implicitly) revealed to be strikingly similar to his son. Lambert and Bensoussan develop a very nuanced but close relationship of deep understanding and unspoken care.
What I really like about this film is the pure rawness and emptiness of the violent scenes and how visceral all these actions seem, it really gives the film an extra edge of devastation that perfectly compliments the emotional weight of the relationships.
Stylistically this film is terrifically naturalistic and very grounded, its drenched in sweaty darkness and has a real-life grit to it that makes it feel incomparable to many other neo-noirs. The characters are also presented in a kind of anti-cool manner, an older and rather fat man who works in a petrol station goes around on a dangerous redemption arc that leads to many deaths and ultimately his own; this is not meant to come across as overly cool, to be honest it kind of is very sick in its own quite sad nature. Anyways I think this desired portrayal is another layer of complex realness, showing how a real-life ‘protagonist’ isn’t normally a slick and well dressed character but a detached and self-destructive old fat guy.
I thought this film was the perfect ratio of stylishness and bleak emotional weight. Even though I haven’t written too much about it, trust me I loved Tchao Pantin.

Also the limited edition (to 3000 copies) radiance blu ray of this film is so excellent, with gorgeous packaging and a very detailed little booklet, some great special features and a 4k restoration from Pathé which looks stunning. Radiance is superb.
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klarouxe
klarouxe
So Long, Stooge
Coluche qui gagne un César pour ce rôle…… 👩🏻‍🦯👩🏻‍🦯
Coluche qui gagne un César pour ce rôle…… 👩🏻‍🦯👩🏻‍🦯
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Enzo SCOLA
Enzo SCOLAPRO
So Long, Stooge
La sœur soral qui joue une punk qui sort avec un pied noir et un keuf c'était pas dans mon bingo
La sœur soral qui joue une punk qui sort avec un pied noir et un keuf c'était pas dans mon bingo
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gabrielle
gabrielle
So Long, Stooge
juste taxi driver en 100x mieux finalement
juste taxi driver en 100x mieux finalement
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Onzkgg
OnzkggPRO
So Long, Stooge
Wow wow wow merci au padre pr la découverte 👌👌👌
Wow wow wow merci au padre pr la découverte 👌👌👌
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