
The Rain People
1969·Drama·1h 41m
7.1
★













When a housewife finds out she is pregnant, she runs out of town looking for freedom to reevaluate her life decisions.
Directed by Francis Ford Coppola
runaway
housewife
hitchhiker
pregnant woman
road movie

Trailer

IMDB
N/A
Where to Watch



Cast

James Caan
Jimmy Kilgannon

Shirley Knight
Natalie Ravenna

Robert Duvall
Gordon

Marya Zimmet
Rosalie

Tom Aldredge
Mr. Alfred

Andrew Duncan
Artie

Sally Gracie
Beth

Alan Manson
Lou

Eleanor Coppola
Gordon's Wife (uncredited)
Crew

Francis Ford Coppola
Director

Francis Ford Coppola
Writer

Bill Butler
Director of Photography

Bart Patton
Producer

Francis Ford Coppola
Producer

Walter Murch
Sound Editor

Joel Cox
Assistant Editor

Marcia Lucas
Assistant Editor

Richard Marks
Assistant Editor

Leon Ericksen
Art Direction

George Lucas
Associate Producer
Popular Reviews
31 reviews
Pari
7.0★ · 05/01/26

Wow. Today I watched two movies about finding peace.
0 peace found.
0 peace found.
Wow. Today I watched two movies about finding peace.
0 peace found.
0 peace found.
Eclectic Sorcerer
6.0★ · 10/04/25

Honestly a very sweet movie. Caan had more range than I thought.
Honestly a very sweet movie. Caan had more range than I thought.
Eclectic Sorcerer
6.0★ · 10/04/25

Honestly a very sweet movie. Caan had more range than I thought.
Honestly a very sweet movie. Caan had more range than I thought.
Siena Tan Yi
7.0★ · 07/11/25

This movie starts out super slow but also gets right into the meat of the story which can be a really wonderfully disorienting combination. The silent flashback montage moments for each of the characters are so powerful, especially when we get to the climax. I think Natalie's habit of referring to herself in the third person when people refer to her as a wife or mother is really interesting, and shows how disconnected she is from traditional gender roles. Not only disconnected, but unable to understand her place in the world as a woman outside of those gender roles, and only knowing that she doesn't identify with them.
This movie starts out super slow but also gets right into the meat of the story which can be a really wonderfully disorienting combination. The silent flashback montage moments for each of the characters are so powerful, especially when we get to the climax. I think Natalie's habit of referring to herself in the third person when people refer to her as a wife or mother is really interesting, and shows how disconnected she is from traditional gender roles. Not only disconnected, but unable to understand her place in the world as a woman outside of those gender roles, and only knowing that she doesn't identify with them.
Miguel
8.0★ · 06/21/25

Two lost doves. One of age one of coming to it. Their beauty in youth and in the scars on their feathers. Nurturing each other. The love we have to give. The things that have made us cower from it. I close my eyes and I can see the days I was happy, I know you can do the same. I can see it on your face. Your pain, your happiness. We are all aligned on the same string. Let’s straighten out together. The beautiful aching tether of the human experience. When I close my eyes I see those better days we long for. We are all drips washing away on the windshield, hold my hand before we split.
Two lost doves. One of age one of coming to it. Their beauty in youth and in the scars on their feathers. Nurturing each other. The love we have to give. The things that have made us cower from it. I close my eyes and I can see the days I was happy, I know you can do the same. I can see it on your face. Your pain, your happiness. We are all aligned on the same string. Let’s straighten out together. The beautiful aching tether of the human experience. When I close my eyes I see those better days we long for. We are all drips washing away on the windshield, hold my hand before we split.