watched the 5 hour television cut of this - it’s reallyyyyyyyy good no notes

watched the 5 hour television cut of this - it’s reallyyyyyyyy good no notes

Fanny and Alexander feels like a memory you’re afraid to touch because it still hurts. Childhood here isn’t innocent; it’s fragile, luminous, and constantly threatened by adult cruelty disguised as order. Bergman lets imagination breathe where authority tightens its grip, and films faces as if they’re trying to remember who they were before fear arrived. Art, ghosts, and warmth become acts of resistance. This isn’t nostalgia, it’s survival.

This is why cinema exists.

Fanny and Alexander feels like a memory you’re afraid to touch because it still hurts. Childhood here isn’t innocent; it’s fragile, luminous, and constantly threatened by adult cruelty disguised as order. Bergman lets imagination breathe where authority tightens its grip, and films faces as if they’re trying to remember who they were before fear arrived. Art, ghosts, and warmth become acts of resistance. This isn’t nostalgia, it’s survival.

This is why cinema exists.

Forstod litt etter hvert at dette var en julefilm piss...helvete...skit..

Forstod litt etter hvert at dette var en julefilm piss...helvete...skit..

Qua siamo chiaramente lontani anni luce dal Bergman innovatore e radicale dei primi anni, con una semi autobiografia chiaramente confezionata per il teleschermo data la fotografia molto curata ma semplice allo stesso tempo, ed i ritmi lenti (forse troppo?) per degustare a pieno le emozioni.
Non sono un grande fan del genere, infatti, seppur riconosco il valido messaggio autobiografico, mi ha annoiato abbastanza. 
Insomma, un Beautiful d’autore nella svezia del primo novecento.

Qua siamo chiaramente lontani anni luce dal Bergman innovatore e radicale dei primi anni, con una semi autobiografia chiaramente confezionata per il teleschermo data la fotografia molto curata ma semplice allo stesso tempo, ed i ritmi lenti (forse troppo?) per degustare a pieno le emozioni.
Non sono un grande fan del genere, infatti, seppur riconosco il valido messaggio autobiografico, mi ha annoiato abbastanza. 
Insomma, un Beautiful d’autore nella svezia del primo novecento.

All the side plots were disjointed, and the pacing was off. It genuinely feels like they butchered the five-hour version to force a theatrical release. Even so, the tragedy, comedy, and mysticism were poorly blended.

All the side plots were disjointed, and the pacing was off. It genuinely feels like they butchered the five-hour version to force a theatrical release. Even so, the tragedy, comedy, and mysticism were poorly blended.