On the President's Orders backdrop

On the President's Orders

2019·Documentary·1h 10m
7.1
The searing story of President Duterte's bloody campaign against drug dealers and addicts in the Philippines, told with unprecedented and intimate access to both sides of the war - the Manila police, and an ordinary family from the slum. Shot in the style of a thriller, this observational film combines the look and feel of a narrative feature film with a real life revelatory journalistic investigation into a campaign of killings. The film uncovers a murky world where crime, drugs and politics meet in a deathly embrace - and reveal that although the police have been publicly ordered to stop extra-judicial killings, the deaths continue.
Directed by Olivier Sarbil and James Jones

Cast

Rodrigo Duterte
Rodrigo Duterte
Self

Crew

Olivier Sarbil
Olivier Sarbil
Director

Popular Reviews

2 reviews
Rose
On the President's Orders
I think it was a very informative piece for the uninitiated (That is, western audiences interested in the extrajudicial killings where they may not have known about it before). But couldn’t shake the “spectator” feeling that comes naturally from an outsider trying to cover the complex reality of the drug war. The film is stylised tastefully but I don’t think it contributes much to the actual discourse of the intersecting social issues of the Phillipines more broadly. Just makes everyone seem like savages more or less. It doesn’t ask many questions, and the message gets a bit convoluted at times. 

Moreover, I don’t see much reason to add in English questions in the Q&A scenes of the film other than to catch the officers interviewed in a lie. It seems to only exist to confirm the existing notions of the audience as a shifty, poverty-stricken place with no real nuance.

I think the film confirmed how this genre of documentary can be exploitative of the people and communities that have to live through this, no matter how immersive it tries to get. I think the ‘reveal’ towards the end of the young man being the son of the man who was shot, was particularly too cinematic and film-y given the subject matter, this was where it played too much into being a film plot rather than a realistic depiction of the situation. 

While the ending suggests that the corruption has continued past the film, the drug war and its consequences is very much a living thing, even to today. Again, it doesn’t really say anything about the situation, just confirms the preconceived biases of its audience about the Phillipines.
I think it was a very informative piece for the uninitiated (That is, western audiences interested in the extrajudicial killings where they may not have known about it before). But couldn’t shake the “spectator” feeling that comes naturally from an outsider trying to cover the complex reality of the drug war. The film is stylised tastefully but I don’t think it contributes much to the actual discourse of the intersecting social issues of the Phillipines more broadly. Just makes everyone seem like savages more or less. It doesn’t ask many questions, and the message gets a bit convoluted at times. 

Moreover, I don’t see much reason to add in English questions in the Q&A scenes of the film other than to catch the officers interviewed in a lie. It seems to only exist to confirm the existing notions of the audience as a shifty, poverty-stricken place with no real nuance.

I think the film confirmed how this genre of documentary can be exploitative of the people and communities that have to live through this, no matter how immersive it tries to get. I think the ‘reveal’ towards the end of the young man being the son of the man who was shot, was particularly too cinematic and film-y given the subject matter, this was where it played too much into being a film plot rather than a realistic depiction of the situation. 

While the ending suggests that the corruption has continued past the film, the drug war and its consequences is very much a living thing, even to today. Again, it doesn’t really say anything about the situation, just confirms the preconceived biases of its audience about the Phillipines.
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Juliana Carmela
Juliana Carmela
On the President's Orders
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On the President's Orders (2019) | Flick