i thoroughly enjoyed this film, despite its mediocre rating. it struck me as a sharp critique of the capitalist upper class—those who, simply because they have money and culture, see themselves as gods entitled to exploit the working class while indulging in endless leisure, all under the guise of possessing a “literary education.” i also really liked how the film tells us it’s 1929, yet shows modern objects and clothing. it’s clearly mocking how wealthy families romanticize the past, believing they live in another era just because of how they choose to live, creating an illusion for themselves. it’s not the best film in the world, but i genuinely appreciated the satire and the social commentary it delivers.
substack anti-capitalism users would adore this film.
i thoroughly enjoyed this film, despite its mediocre rating. it struck me as a sharp critique of the capitalist upper class—those who, simply because they have money and culture, see themselves as gods entitled to exploit the working class while indulging in endless leisure, all under the guise of possessing a “literary education.” i also really liked how the film tells us it’s 1929, yet shows modern objects and clothing. it’s clearly mocking how wealthy families romanticize the past, believing they live in another era just because of how they choose to live, creating an illusion for themselves. it’s not the best film in the world, but i genuinely appreciated the satire and the social commentary it delivers.
substack anti-capitalism users would adore this film.
