

2009·Science Fiction·1h 31m
6.9
★













Two neurology students create a telepathy experiment together to visualize a murderer, who recently knifed another student.
Directed by Mark Region
animated scene
dream sequence
parkinson's disease

Trailer

IMDB
N/A
Cast

Jason Kulas
Matthew Andrews

Katarína Morháčová
Stacy Merick
Crew

Mark Region
Director

Mark Region
Writer

Mark Region
Director of Photography

Mark Region
Producer
Popular Reviews
24 reviews
Jacob Bouvier
6.0★ · 07/05/26

Kind of so bad that it becomes genius. The film has some of the most god awful everything I’ve ever seen. It was to a certain point where I now think this film was used as a means to embezzle 5 million dollars or right it off. Still none the less I think this is so shit that it bounces back into being good. I laughed so much and the movie flew by. Not to mention some of the CGI was so shit that I kept forgetting this came out in 2009. Genuinely behind its time. Every scene is iconic and every line delivery is hilarious. It’s in a very similar boat to the room.
Kind of so bad that it becomes genius. The film has some of the most god awful everything I’ve ever seen. It was to a certain point where I now think this film was used as a means to embezzle 5 million dollars or right it off. Still none the less I think this is so shit that it bounces back into being good. I laughed so much and the movie flew by. Not to mention some of the CGI was so shit that I kept forgetting this came out in 2009. Genuinely behind its time. Every scene is iconic and every line delivery is hilarious. It’s in a very similar boat to the room.
Ari
8.0★ · 03/29/26

It’s hard to imagine actors arriving to and leaving a set, hard to imagine anything involved in the production of this film existing anywhere in time or space, everything just arose from and shrunk back into the ether… it’s an experimental meditation on a tabula rasa world and its implications
It’s hard to imagine actors arriving to and leaving a set, hard to imagine anything involved in the production of this film existing anywhere in time or space, everything just arose from and shrunk back into the ether… it’s an experimental meditation on a tabula rasa world and its implications
cabuxaPRO
1.0★ · 10/13/25

así se siente una hemorragia cerebral creo. y también creo que todos los actores pasaron sus años formativos encerrados en un sótano o quizás en una cripta
así se siente una hemorragia cerebral creo. y también creo que todos los actores pasaron sus años formativos encerrados en un sótano o quizás en una cripta
Alejandro_Covo
1.0★ · 05/30/25

Complete Outsider Art
By its very definition, Outsider art is notoriously difficult to define. Numerous artists come to mind when describing the term. Daniel Johnston and Henry Darger are prominent examples. However, I believe the term “Outsider Art” has been misinterpreted. By definition, Outsider Art exists outside the confines of the traditional art world. Daniel Johnston draws clear inspiration from folk music of the past, and despite lacking formal training, is a skilled musician whose music profoundly influenced the subsequent generation of indie music. Folk art or Naive art is likely a more appropriate term for most of these artists.
Does the existence of outsider art imply that its creator must be completely unfamiliar with the conventions of its chosen medium or even the outside world? For this to be feasible, the artist must have resided in isolation for their entire life. Art is shaped by our experiences, making it impossible to completely sever oneself from “The Art World,” although the film After Last Season has come close to achieving this. How can this even be possible in cinema?
When bringing up Outsider filmmakers some notable names come to mind; Tommy Wiseau, James Nguyen and even Neil Breen. The problem is that most of these directors have some clear filmic inspirations that they are trying to imitate,
Wiseau -> Old Hollywood Melodrama.
Nguyen -> Alfred Hitchcock (well just The Birds)
Neil Breen -> Conspiracy Thrillers and David Lynch maybe? What is it that inspired After Last Season?
The director Mark Region (whether or not he is a real person is anyones guess) claims that the film was inspired by the Sixth Sense and the Exorcist, yet I fail to understand how any film this could have drawn from. The film feels like it was made by telling someone that has only heard of movies but never has seen one to try to make one. After Last Season breaks pretty much every single possible unwritten rule of cinema it is actually impressive. Characters move through space as if it was being guided through a fourth dimensional being. Sets are made almost entirely by cardboard and or paper sheets. As well as, CGi that would the average bowling alley animation look like Pixar by comparison.
Cinematic and narrative conventions have its place even in experimental film. Even Michael Snow’s Wavelength adheres to some form of structure, even if its not clear. Whether that be the pattern of sounds and light or intensity of a high pitch frequency. Even some of the most obtuse films adhere to some form of structure. All temporal images have context behind it.
There is no context in anything contained in After Last Season including its own title. The movie is as film d was on a budget of 5 million and was shot on 35mm, why? The reasons behind the film’s choices are impossible to comprehend, making it frankly one of the most unsettling works of art ever created. After Last Season lacks any connection to humanity, resulting in an experience of complete liminality.
Many individuals consider this film to be the worst film ever made, and I would not disagree. However, if the alien anthropologists were to discover this work of art 10,000 years from now, I am confident that they would still be utterly perplexed by it for the rest of time.
By its very definition, Outsider art is notoriously difficult to define. Numerous artists come to mind when describing the term. Daniel Johnston and Henry Darger are prominent examples. However, I believe the term “Outsider Art” has been misinterpreted. By definition, Outsider Art exists outside the confines of the traditional art world. Daniel Johnston draws clear inspiration from folk music of the past, and despite lacking formal training, is a skilled musician whose music profoundly influenced the subsequent generation of indie music. Folk art or Naive art is likely a more appropriate term for most of these artists.
Does the existence of outsider art imply that its creator must be completely unfamiliar with the conventions of its chosen medium or even the outside world? For this to be feasible, the artist must have resided in isolation for their entire life. Art is shaped by our experiences, making it impossible to completely sever oneself from “The Art World,” although the film After Last Season has come close to achieving this. How can this even be possible in cinema?
When bringing up Outsider filmmakers some notable names come to mind; Tommy Wiseau, James Nguyen and even Neil Breen. The problem is that most of these directors have some clear filmic inspirations that they are trying to imitate,
Wiseau -> Old Hollywood Melodrama.
Nguyen -> Alfred Hitchcock (well just The Birds)
Neil Breen -> Conspiracy Thrillers and David Lynch maybe? What is it that inspired After Last Season?
The director Mark Region (whether or not he is a real person is anyones guess) claims that the film was inspired by the Sixth Sense and the Exorcist, yet I fail to understand how any film this could have drawn from. The film feels like it was made by telling someone that has only heard of movies but never has seen one to try to make one. After Last Season breaks pretty much every single possible unwritten rule of cinema it is actually impressive. Characters move through space as if it was being guided through a fourth dimensional being. Sets are made almost entirely by cardboard and or paper sheets. As well as, CGi that would the average bowling alley animation look like Pixar by comparison.
Cinematic and narrative conventions have its place even in experimental film. Even Michael Snow’s Wavelength adheres to some form of structure, even if its not clear. Whether that be the pattern of sounds and light or intensity of a high pitch frequency. Even some of the most obtuse films adhere to some form of structure. All temporal images have context behind it.
There is no context in anything contained in After Last Season including its own title. The movie is as film d was on a budget of 5 million and was shot on 35mm, why? The reasons behind the film’s choices are impossible to comprehend, making it frankly one of the most unsettling works of art ever created. After Last Season lacks any connection to humanity, resulting in an experience of complete liminality.
Many individuals consider this film to be the worst film ever made, and I would not disagree. However, if the alien anthropologists were to discover this work of art 10,000 years from now, I am confident that they would still be utterly perplexed by it for the rest of time.
Complete Outsider Art
By its very definition, Outsider art is notoriously difficult to define. Numerous artists come to mind when describing the term. Daniel Johnston and Henry Darger are prominent examples. However, I believe the term “Outsider Art” has been misinterpreted. By definition, Outsider Art exists outside the confines of the traditional art world. Daniel Johnston draws clear inspiration from folk music of the past, and despite lacking formal training, is a skilled musician whose music profoundly influenced the subsequent generation of indie music. Folk art or Naive art is likely a more appropriate term for most of these artists.
Does the existence of outsider art imply that its creator must be completely unfamiliar with the conventions of its chosen medium or even the outside world? For this to be feasible, the artist must have resided in isolation for their entire life. Art is shaped by our experiences, making it impossible to completely sever oneself from “The Art World,” although the film After Last Season has come close to achieving this. How can this even be possible in cinema?
When bringing up Outsider filmmakers some notable names come to mind; Tommy Wiseau, James Nguyen and even Neil Breen. The problem is that most of these directors have some clear filmic inspirations that they are trying to imitate,
Wiseau -> Old Hollywood Melodrama.
Nguyen -> Alfred Hitchcock (well just The Birds)
Neil Breen -> Conspiracy Thrillers and David Lynch maybe? What is it that inspired After Last Season?
The director Mark Region (whether or not he is a real person is anyones guess) claims that the film was inspired by the Sixth Sense and the Exorcist, yet I fail to understand how any film this could have drawn from. The film feels like it was made by telling someone that has only heard of movies but never has seen one to try to make one. After Last Season breaks pretty much every single possible unwritten rule of cinema it is actually impressive. Characters move through space as if it was being guided through a fourth dimensional being. Sets are made almost entirely by cardboard and or paper sheets. As well as, CGi that would the average bowling alley animation look like Pixar by comparison.
Cinematic and narrative conventions have its place even in experimental film. Even Michael Snow’s Wavelength adheres to some form of structure, even if its not clear. Whether that be the pattern of sounds and light or intensity of a high pitch frequency. Even some of the most obtuse films adhere to some form of structure. All temporal images have context behind it.
There is no context in anything contained in After Last Season including its own title. The movie is as film d was on a budget of 5 million and was shot on 35mm, why? The reasons behind the film’s choices are impossible to comprehend, making it frankly one of the most unsettling works of art ever created. After Last Season lacks any connection to humanity, resulting in an experience of complete liminality.
Many individuals consider this film to be the worst film ever made, and I would not disagree. However, if the alien anthropologists were to discover this work of art 10,000 years from now, I am confident that they would still be utterly perplexed by it for the rest of time.
By its very definition, Outsider art is notoriously difficult to define. Numerous artists come to mind when describing the term. Daniel Johnston and Henry Darger are prominent examples. However, I believe the term “Outsider Art” has been misinterpreted. By definition, Outsider Art exists outside the confines of the traditional art world. Daniel Johnston draws clear inspiration from folk music of the past, and despite lacking formal training, is a skilled musician whose music profoundly influenced the subsequent generation of indie music. Folk art or Naive art is likely a more appropriate term for most of these artists.
Does the existence of outsider art imply that its creator must be completely unfamiliar with the conventions of its chosen medium or even the outside world? For this to be feasible, the artist must have resided in isolation for their entire life. Art is shaped by our experiences, making it impossible to completely sever oneself from “The Art World,” although the film After Last Season has come close to achieving this. How can this even be possible in cinema?
When bringing up Outsider filmmakers some notable names come to mind; Tommy Wiseau, James Nguyen and even Neil Breen. The problem is that most of these directors have some clear filmic inspirations that they are trying to imitate,
Wiseau -> Old Hollywood Melodrama.
Nguyen -> Alfred Hitchcock (well just The Birds)
Neil Breen -> Conspiracy Thrillers and David Lynch maybe? What is it that inspired After Last Season?
The director Mark Region (whether or not he is a real person is anyones guess) claims that the film was inspired by the Sixth Sense and the Exorcist, yet I fail to understand how any film this could have drawn from. The film feels like it was made by telling someone that has only heard of movies but never has seen one to try to make one. After Last Season breaks pretty much every single possible unwritten rule of cinema it is actually impressive. Characters move through space as if it was being guided through a fourth dimensional being. Sets are made almost entirely by cardboard and or paper sheets. As well as, CGi that would the average bowling alley animation look like Pixar by comparison.
Cinematic and narrative conventions have its place even in experimental film. Even Michael Snow’s Wavelength adheres to some form of structure, even if its not clear. Whether that be the pattern of sounds and light or intensity of a high pitch frequency. Even some of the most obtuse films adhere to some form of structure. All temporal images have context behind it.
There is no context in anything contained in After Last Season including its own title. The movie is as film d was on a budget of 5 million and was shot on 35mm, why? The reasons behind the film’s choices are impossible to comprehend, making it frankly one of the most unsettling works of art ever created. After Last Season lacks any connection to humanity, resulting in an experience of complete liminality.
Many individuals consider this film to be the worst film ever made, and I would not disagree. However, if the alien anthropologists were to discover this work of art 10,000 years from now, I am confident that they would still be utterly perplexed by it for the rest of time.
eddie
5.0★ · 04/29/25

mmm maybe a rewatch will change my mind but it feels like lynch without an overall message or meaning, the quality of the film itself might work against it instead of for. i like a lot of stuff but not enough
mmm maybe a rewatch will change my mind but it feels like lynch without an overall message or meaning, the quality of the film itself might work against it instead of for. i like a lot of stuff but not enough