I, a Negro backdrop

I, a Negro

1959·Documentary·1h 10m
7.1
Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.
Directed by Jean Rouch

Cast

Oumarou Ganda
Oumarou Ganda
Edward G. Robinson

Crew

Jean Rouch
Jean Rouch
Director
Jean Rouch
Jean Rouch
Writer
Marie-Josèphe Yoyotte
Marie-Josèphe Yoyotte
Editor
Jean Rouch
Jean Rouch
Producer

Popular Reviews

18 reviews
Eclectic Sorcerer
Eclectic Sorcerer
I, a Negro
Strange, but gorgeous
Strange, but gorgeous
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Eclectic Sorcerer
Eclectic Sorcerer
I, a Negro
Strange, but gorgeous
Strange, but gorgeous
Favorite
Comment
Maud Gone
Maud Gone
I, a Negro
Watched as part of my research into the french new wave.
Really cool to watch something that inspired my inspiration. I came across this because the jump cuts are what inspired Godards jump cuts in Breathless, but I think you can also recognize some connection with the docu style shooting of the early Godard style in this.
Watched as part of my research into the french new wave.
Really cool to watch something that inspired my inspiration. I came across this because the jump cuts are what inspired Godards jump cuts in Breathless, but I think you can also recognize some connection with the docu style shooting of the early Godard style in this.
Favorite
Comment
Mickey R
Mickey R
I, a Negro
Interesting, especially in terms of documentary. Rouch’s cinema verite question of “truth” is particularly poignant here, but I think it makes an enjoyable film regardless of what is actually true. I’m usually pro-documentary reinactments, and I think this film proves my point. 

Also just goes to show that, often the key to documentary is choosing the right subject, which they do here.
Interesting, especially in terms of documentary. Rouch’s cinema verite question of “truth” is particularly poignant here, but I think it makes an enjoyable film regardless of what is actually true. I’m usually pro-documentary reinactments, and I think this film proves my point. 

Also just goes to show that, often the key to documentary is choosing the right subject, which they do here.
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Ryan F
I, a Negro
Step into the past with some truth and fiction.
Step into the past with some truth and fiction.
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