

1981·Horror·1h 32m
7.1
★

















In 19th century London, a sex maniac sneaks into the engagement party of Dr. Henry Jekyll and Miss Fanny Osbourne, turning the event into a nightmarish whirlpool of murder and debauchery.
Directed by Walerian Borowczyk
rape
eroticism
transformation
gothic horror
period drama
gothic

IMDB
N/A
Where to Watch



Cast

Udo Kier
Dr. Henry Jekyll

Marina Pierro
Miss Fanny Osbourne

Gérard Zalcberg
Mr. Hyde

Patrick Magee
General

Howard Vernon
Dr. Lanyon

Clément Harari
Reverend Donald Regan

Rita Maiden
Lady Osbourne, Fanny's mother

Agnès Daems
Charlotte Carew, the General's daughter

Gisèle Préville
Dr. Jekyll's mother
Crew

Walerian Borowczyk
Director

Walerian Borowczyk
Screenplay

Bernard Parmegiani
Original Music Composer

Robert Louis Stevenson
Novel

Walerian Borowczyk
Production Design
Popular Reviews
15 reviews
Konstantina Efstathi
10.0★ · 01/15/26

Marina Pierro is one of the most gorgeous women I ever laid my eyes upon
Marina Pierro is one of the most gorgeous women I ever laid my eyes upon
Almina
7.0★ · 11/07/25

Kitabını beğenip izlemistim kötü değildi ama kesinlikle daha iyi yapilabilirdi yapım yılı falan göz önüne alındığında gayet guzel
Kitabını beğenip izlemistim kötü değildi ama kesinlikle daha iyi yapilabilirdi yapım yılı falan göz önüne alındığında gayet guzel
Syd
9.0★ · 09/20/25

(tbh I need to watch two times to understand, and I’d say this is aesthetically beautiful but disturbing)
What an aesthetic disturbing nightmare that feels like a lavish painting suddenly torn apart by madness. Walerian Borowczyk stages the film like a decadent 19th-century drama. With candlelit halls, opulent gowns, a wedding party brimming with polite society. But within minutes, that elegance mutates into something grotesque...
The transformation scene itself feels uncomfortably sensual, Dr. Jekyll dissolving into Edward Hyde not with thunder and lightning, but through a physical, almost erotic metamorphosis that’s as mesmerizing as it is sickening. And once Hyde emerges, with his wild-eyed, with sword in hand, he stalks the house like a violent ghost, The attacks on the guests are brutal not just in their bloodshed, but in their sexualized cruelty, making each death sting with a twisted intimacy (screaming in pain)
Love how Borowczyk refuses to let us hide in morality. Miss Fanny Osbourne, first framed as the graceful fiancée, becomes increasingly complicit (love-hate with the ending, but gosh she’s so stunning!)
By the final act, when she no longer recoils from Hyde but leans into him, the horror reaches its peak. It’s not simply about a monster unleashed, but about the seductive pull of the darkness we try to deny 🩸❤️🩹
p.s thanks to my cinephile friend Rocky who introduced me with this amazing movie ;)
What an aesthetic disturbing nightmare that feels like a lavish painting suddenly torn apart by madness. Walerian Borowczyk stages the film like a decadent 19th-century drama. With candlelit halls, opulent gowns, a wedding party brimming with polite society. But within minutes, that elegance mutates into something grotesque...
The transformation scene itself feels uncomfortably sensual, Dr. Jekyll dissolving into Edward Hyde not with thunder and lightning, but through a physical, almost erotic metamorphosis that’s as mesmerizing as it is sickening. And once Hyde emerges, with his wild-eyed, with sword in hand, he stalks the house like a violent ghost, The attacks on the guests are brutal not just in their bloodshed, but in their sexualized cruelty, making each death sting with a twisted intimacy (screaming in pain)
Love how Borowczyk refuses to let us hide in morality. Miss Fanny Osbourne, first framed as the graceful fiancée, becomes increasingly complicit (love-hate with the ending, but gosh she’s so stunning!)
By the final act, when she no longer recoils from Hyde but leans into him, the horror reaches its peak. It’s not simply about a monster unleashed, but about the seductive pull of the darkness we try to deny 🩸❤️🩹
p.s thanks to my cinephile friend Rocky who introduced me with this amazing movie ;)
(tbh I need to watch two times to understand, and I’d say this is aesthetically beautiful but disturbing)
What an aesthetic disturbing nightmare that feels like a lavish painting suddenly torn apart by madness. Walerian Borowczyk stages the film like a decadent 19th-century drama. With candlelit halls, opulent gowns, a wedding party brimming with polite society. But within minutes, that elegance mutates into something grotesque...
The transformation scene itself feels uncomfortably sensual, Dr. Jekyll dissolving into Edward Hyde not with thunder and lightning, but through a physical, almost erotic metamorphosis that’s as mesmerizing as it is sickening. And once Hyde emerges, with his wild-eyed, with sword in hand, he stalks the house like a violent ghost, The attacks on the guests are brutal not just in their bloodshed, but in their sexualized cruelty, making each death sting with a twisted intimacy (screaming in pain)
Love how Borowczyk refuses to let us hide in morality. Miss Fanny Osbourne, first framed as the graceful fiancée, becomes increasingly complicit (love-hate with the ending, but gosh she’s so stunning!)
By the final act, when she no longer recoils from Hyde but leans into him, the horror reaches its peak. It’s not simply about a monster unleashed, but about the seductive pull of the darkness we try to deny 🩸❤️🩹
p.s thanks to my cinephile friend Rocky who introduced me with this amazing movie ;)
What an aesthetic disturbing nightmare that feels like a lavish painting suddenly torn apart by madness. Walerian Borowczyk stages the film like a decadent 19th-century drama. With candlelit halls, opulent gowns, a wedding party brimming with polite society. But within minutes, that elegance mutates into something grotesque...
The transformation scene itself feels uncomfortably sensual, Dr. Jekyll dissolving into Edward Hyde not with thunder and lightning, but through a physical, almost erotic metamorphosis that’s as mesmerizing as it is sickening. And once Hyde emerges, with his wild-eyed, with sword in hand, he stalks the house like a violent ghost, The attacks on the guests are brutal not just in their bloodshed, but in their sexualized cruelty, making each death sting with a twisted intimacy (screaming in pain)
Love how Borowczyk refuses to let us hide in morality. Miss Fanny Osbourne, first framed as the graceful fiancée, becomes increasingly complicit (love-hate with the ending, but gosh she’s so stunning!)
By the final act, when she no longer recoils from Hyde but leans into him, the horror reaches its peak. It’s not simply about a monster unleashed, but about the seductive pull of the darkness we try to deny 🩸❤️🩹
p.s thanks to my cinephile friend Rocky who introduced me with this amazing movie ;)
Jorg Chap

What
What
Konstantina Efstathi
10.0★ · 04/06/25

There is something so fucking beautiful and ethereal about Borowczyk's way of directing and camera shots, its like staring at literal paintings . Absolutely gorgeous. Fucking phenomenal film!
There is something so fucking beautiful and ethereal about Borowczyk's way of directing and camera shots, its like staring at literal paintings . Absolutely gorgeous. Fucking phenomenal film!