

2023·Action·1h 39m
7.0
★
















After spending a decade in prison, a hitman learns that he has a daughter and just wants a chance at a normal life. But his former mob boss wants him back at any cost, sending merciless assassins after him.
Directed by Jung Woo-sung
gang
underworld

Trailer

IMDB
N/A
Where to Watch



Cast

Jung Woo-sung
Su-hyuk

Kim Nam-gil
Woo-jin

Kim Jun-han
Seong-joon

Park You-na
Jin-ah

Ryu Ji-an
In-bi

Park Sung-woong
Eung-guk

Lee Elijah
Min-seo

Kim Ju-hun
Jun-ho

Kim Moon-hak
Security Team Leader

Park Yong
Minister Shin

Lee Hyo-bi
Jun-ho's Daughter

Choi Su-im
Ballet Teacher
Crew

Jung Woo-sung
Director

Jung Woo-sung
Screenplay

Kim Tae-seong
Original Music Composer

Go Rak-sun
Director of Photography

Cho Sang-kyung
Costume Design

Go Rak-sun
Lighting Director

Heo Myeong-haeng
Martial Arts Choreographer

Park Jin-young
Digital Intermediate
Popular Reviews
12 reviews
Hrsbrgr
6.0★ · 07/21/25

It’s no John Wick, but it’s entertaining and has a little bit of humor.
It’s no John Wick, but it’s entertaining and has a little bit of humor.
Cameron Ritter
6.0★ · 07/09/24

‘A Man Of Reason’ Review – Jung Woo-sung’s Stellar, Enthralling Debut Thriller
The world seems to be oversaturated with bloated thrillers these days, which can make these films a tough hang. Whether it’s following subplots that don’t add much to the overall narrative or having someone deal with the traumas of their past over and over again, these extra scenes and moments add up. Fortunately, first-time writer-director Jung Woo-sung doesn’t fall for these mistakes in A Man of Reason. The film also stars Jung Woo-sung as Soo-hyuk, a former hitman who has just been released from prison. He quickly discovers that he has a daughter and tries to ensure his way out of the crime lifestyle so that he can be there for her. As is to be expected, however, the crime bosses of his past don’t take too kindly to his request, seeking to hunt him down and put his family in danger.
While this is Jung Woo-sung’s directorial debut, there’s nothing in the film that would indicate this. The camera moves freely, not feeling like it must be set in stone for each shot. Slow pans down the street or around the room allow for the spaces to be lived in as opposed to perfectly staged for maximum efficiency. These are the tricks typically found in more seasoned directors, but Woo-sung is already in mid-career form here. The camera work is especially impressive in action sequences, of which there are fewer than you might expect in a thriller like this. One of the coolest scenes…
This review continues at GVN
The world seems to be oversaturated with bloated thrillers these days, which can make these films a tough hang. Whether it’s following subplots that don’t add much to the overall narrative or having someone deal with the traumas of their past over and over again, these extra scenes and moments add up. Fortunately, first-time writer-director Jung Woo-sung doesn’t fall for these mistakes in A Man of Reason. The film also stars Jung Woo-sung as Soo-hyuk, a former hitman who has just been released from prison. He quickly discovers that he has a daughter and tries to ensure his way out of the crime lifestyle so that he can be there for her. As is to be expected, however, the crime bosses of his past don’t take too kindly to his request, seeking to hunt him down and put his family in danger.
While this is Jung Woo-sung’s directorial debut, there’s nothing in the film that would indicate this. The camera moves freely, not feeling like it must be set in stone for each shot. Slow pans down the street or around the room allow for the spaces to be lived in as opposed to perfectly staged for maximum efficiency. These are the tricks typically found in more seasoned directors, but Woo-sung is already in mid-career form here. The camera work is especially impressive in action sequences, of which there are fewer than you might expect in a thriller like this. One of the coolest scenes…
This review continues at GVN
‘A Man Of Reason’ Review – Jung Woo-sung’s Stellar, Enthralling Debut Thriller
The world seems to be oversaturated with bloated thrillers these days, which can make these films a tough hang. Whether it’s following subplots that don’t add much to the overall narrative or having someone deal with the traumas of their past over and over again, these extra scenes and moments add up. Fortunately, first-time writer-director Jung Woo-sung doesn’t fall for these mistakes in A Man of Reason. The film also stars Jung Woo-sung as Soo-hyuk, a former hitman who has just been released from prison. He quickly discovers that he has a daughter and tries to ensure his way out of the crime lifestyle so that he can be there for her. As is to be expected, however, the crime bosses of his past don’t take too kindly to his request, seeking to hunt him down and put his family in danger.
While this is Jung Woo-sung’s directorial debut, there’s nothing in the film that would indicate this. The camera moves freely, not feeling like it must be set in stone for each shot. Slow pans down the street or around the room allow for the spaces to be lived in as opposed to perfectly staged for maximum efficiency. These are the tricks typically found in more seasoned directors, but Woo-sung is already in mid-career form here. The camera work is especially impressive in action sequences, of which there are fewer than you might expect in a thriller like this. One of the coolest scenes…
This review continues at GVN
The world seems to be oversaturated with bloated thrillers these days, which can make these films a tough hang. Whether it’s following subplots that don’t add much to the overall narrative or having someone deal with the traumas of their past over and over again, these extra scenes and moments add up. Fortunately, first-time writer-director Jung Woo-sung doesn’t fall for these mistakes in A Man of Reason. The film also stars Jung Woo-sung as Soo-hyuk, a former hitman who has just been released from prison. He quickly discovers that he has a daughter and tries to ensure his way out of the crime lifestyle so that he can be there for her. As is to be expected, however, the crime bosses of his past don’t take too kindly to his request, seeking to hunt him down and put his family in danger.
While this is Jung Woo-sung’s directorial debut, there’s nothing in the film that would indicate this. The camera moves freely, not feeling like it must be set in stone for each shot. Slow pans down the street or around the room allow for the spaces to be lived in as opposed to perfectly staged for maximum efficiency. These are the tricks typically found in more seasoned directors, but Woo-sung is already in mid-career form here. The camera work is especially impressive in action sequences, of which there are fewer than you might expect in a thriller like this. One of the coolest scenes…
This review continues at GVN
antonio
5.2★ · 02/01/24

BUT YOU DIDNT HAVE TO CUT ME OFFFF—
BUT YOU DIDNT HAVE TO CUT ME OFFFF—
jireal
6.0★ · 06/18/26

Rrha
8.0★ · 06/05/26
