In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.
Directed by Michelangelo Frammartino
Trailer
IMDB
N/A
Crew
Michelangelo Frammartino
Director
Giovanna Giuliani
Screenplay
Michelangelo Frammartino
Screenplay
Renato Berta
Director of Photography
Philippe Bober
Producer
Michelangelo Frammartino
Producer
Raha Shirazi
Executive Producer
Olivier Père
Co-Producer
Giliano Carli
Production Design
Giovanna Giuliani
Casting
Michelangelo Frammartino
Story
Giovanna Giuliani
Creative Producer
Popular Reviews
24 reviews
Rosk
5.0★ · 09/08/25
ottime le riprese della natura ma ad una certa credevo di star guardando un documentario su focus…
ottime le riprese della natura ma ad una certa credevo di star guardando un documentario su focus…
Nick
6.0★ · 01/09/25
Nice to look at. Arthouse cave of wonders. There’s some analogous image replacement of the tunnel explorerers and a doctor examining his older patient. I enjoy slow paced movies like this. They give you time to think. I didn’t end up connecting to this one ultimately.
Nice to look at. Arthouse cave of wonders. There’s some analogous image replacement of the tunnel explorerers and a doctor examining his older patient. I enjoy slow paced movies like this. They give you time to think. I didn’t end up connecting to this one ultimately.
violetta
7.0★ · 12/13/24
complimenti al microfonista
complimenti al microfonista
Connor
3.0★ · 12/13/23
A dialogue-less depiction of a crew exploring one of the deepest caves. If not for some beautiful landscapes this film would’ve been fully lost on me. I think I’m usually pretty receptive of slightly alternative filmmaking, but this missed with me.
A dialogue-less depiction of a crew exploring one of the deepest caves. If not for some beautiful landscapes this film would’ve been fully lost on me. I think I’m usually pretty receptive of slightly alternative filmmaking, but this missed with me.
