En soi je pense que c’est plutôt ça que j’attendais en allant voir Un Simple Accident. Je trouve que ça te fait te questionner beaucoup plus au niveau moral et que ça couvre un peu tout ce qui peut être couvert. Je trouve que c’est aussi très intéressant de se concentrer sur des gens qui font déjà partie du système, mais c’est aussi pour ça que je peux pas vraiment le comparer avec Un Simple Accident. C’est deux films assez différents et le seul point commun c’est de dénoncer le régime iranien. Et en même temps je trouve qu’il y a quand même un lien qu’on peut faire entre les deux mais que je ne sais pas expliquer. Bref c’est intéressant donc regardez

En soi je pense que c’est plutôt ça que j’attendais en allant voir Un Simple Accident. Je trouve que ça te fait te questionner beaucoup plus au niveau moral et que ça couvre un peu tout ce qui peut être couvert. Je trouve que c’est aussi très intéressant de se concentrer sur des gens qui font déjà partie du système, mais c’est aussi pour ça que je peux pas vraiment le comparer avec Un Simple Accident. C’est deux films assez différents et le seul point commun c’est de dénoncer le régime iranien. Et en même temps je trouve qu’il y a quand même un lien qu’on peut faire entre les deux mais que je ne sais pas expliquer. Bref c’est intéressant donc regardez

Aile kahramanlık yapmakdan daha önemli.

Aile kahramanlık yapmakdan daha önemli.

um idk why everyones praising the “the power is in saying no” line as if it isnt the most dumb fucking piece of dialogue in context thats clearly only there to be screenshotted to put on ur aesthetic movie highlights on ur instagram page its so dumb like of course none of them can say no LMAO and ur supposed to believe an educated woman who’s lived under the state most of her whole life said this lmaoooooooooooo ig u cud say its there to show how fear and self preservation reduces members of the oppressed into complicit cattle rather than unionize but cmon!!!! u cudve at least tried to believe ur audience was smarter than that its js 2 hrs of mohammed rasoulof sitting u down and spelling every word out at phonics club. i think he gave up the last two stories and was js like lemme flex rural iran on these mfs. first story is AMAZING: the last scene of it had me NAUSEOUS!!!!! if the rest of the shorts were along tht vein it wud be 4+ stars, second story turned into an ep of prison break outta nowhere LMAO yk whatever it was decent really js insists on how vile the death penalty is and how its vileness pervades

um idk why everyones praising the “the power is in saying no” line as if it isnt the most dumb fucking piece of dialogue in context thats clearly only there to be screenshotted to put on ur aesthetic movie highlights on ur instagram page its so dumb like of course none of them can say no LMAO and ur supposed to believe an educated woman who’s lived under the state most of her whole life said this lmaoooooooooooo ig u cud say its there to show how fear and self preservation reduces members of the oppressed into complicit cattle rather than unionize but cmon!!!! u cudve at least tried to believe ur audience was smarter than that its js 2 hrs of mohammed rasoulof sitting u down and spelling every word out at phonics club. i think he gave up the last two stories and was js like lemme flex rural iran on these mfs. first story is AMAZING: the last scene of it had me NAUSEOUS!!!!! if the rest of the shorts were along tht vein it wud be 4+ stars, second story turned into an ep of prison break outta nowhere LMAO yk whatever it was decent really js insists on how vile the death penalty is and how its vileness pervades

dare I say this may be one of my favorite films of all time.

dare I say this may be one of my favorite films of all time.

THERE IS NO EVIL is monumental filmmaking. I am in awe of how sharp Rasoulof’s critique is; not only of the IRGC’s state sanctioned executions but also against the complicit nature executioners find themselves in; it is actually a question of morals— that there is power in saying no. Each segment was wonderful but the cinematography of the last two segments were genuinely breathtaking.

THERE IS NO EVIL is monumental filmmaking. I am in awe of how sharp Rasoulof’s critique is; not only of the IRGC’s state sanctioned executions but also against the complicit nature executioners find themselves in; it is actually a question of morals— that there is power in saying no. Each segment was wonderful but the cinematography of the last two segments were genuinely breathtaking.