
Quartet
1981·Drama·1h 41m
7.0
★



When her husband's arrest leaves her penniless, a woman accepts an invitation to move in with a strange couple.
Directed by James Ivory
prison
theft
based on memoir or autobiography
couple
1920s

Trailer

IMDB
N/A
Where to Watch



Cast

Isabelle Adjani
Marya 'Mado' Zelli

Maggie Smith
Lois Heidler

Alan Bates
H.J. Heidler

Anthony Higgins
Stephan Zelli

Suzanne Flon
Mme. Hautchamp

Sheila Gish
Anna

Daniel Chatto
Guy

Pierre Clémenti
Theo

Daniel Mesguich
Pierre Schlamovitz

Armelia McQueen
Nightclub singer

Virginie Thévenet
Madmoiselle Chardin

Muriel Montossé
Marjorie
Crew

James Ivory
Director

Ruth Prawer Jhabvala
Writer

James Ivory
Screenplay

Richard Robbins
Original Music Composer

Pierre Lhomme
Director of Photography

Ismail Merchant
Producer

Richard King
Sound Re-Recording Mixer
Popular Reviews
18 reviews
lululaWK
4.0★ · 01/24/26

Lowkey this was the plot of the housemaid
Lowkey this was the plot of the housemaid
Jagdish
6.6★ · 07/28/24

QUARTET ends on this chilling note:
“Nowadays people live in a dirty way. There is no tradition. There is nothing beautiful.”
Despite the star power of Adjani and Smith, the film fails to dig deeper into the mores of a woman in this era, or even circumstance. Are the means to a woman’s survival (irregardless of privilige) tied to the whims of your husband? Was Smith’s Lois an unwilling cuck in her in own marriage? Why weren’t the complexities of Adjani’s Mado to fall in love with a married man (considering the circumstance) more tumultuous? The final scene in which Adjani is momentarily destitute before being taken in by another strange man is ultimately devastating and perhaps the antithesis of the film.
A good review here
“Nowadays people live in a dirty way. There is no tradition. There is nothing beautiful.”
Despite the star power of Adjani and Smith, the film fails to dig deeper into the mores of a woman in this era, or even circumstance. Are the means to a woman’s survival (irregardless of privilige) tied to the whims of your husband? Was Smith’s Lois an unwilling cuck in her in own marriage? Why weren’t the complexities of Adjani’s Mado to fall in love with a married man (considering the circumstance) more tumultuous? The final scene in which Adjani is momentarily destitute before being taken in by another strange man is ultimately devastating and perhaps the antithesis of the film.
A good review here
QUARTET ends on this chilling note:
“Nowadays people live in a dirty way. There is no tradition. There is nothing beautiful.”
Despite the star power of Adjani and Smith, the film fails to dig deeper into the mores of a woman in this era, or even circumstance. Are the means to a woman’s survival (irregardless of privilige) tied to the whims of your husband? Was Smith’s Lois an unwilling cuck in her in own marriage? Why weren’t the complexities of Adjani’s Mado to fall in love with a married man (considering the circumstance) more tumultuous? The final scene in which Adjani is momentarily destitute before being taken in by another strange man is ultimately devastating and perhaps the antithesis of the film.
A good review here
“Nowadays people live in a dirty way. There is no tradition. There is nothing beautiful.”
Despite the star power of Adjani and Smith, the film fails to dig deeper into the mores of a woman in this era, or even circumstance. Are the means to a woman’s survival (irregardless of privilige) tied to the whims of your husband? Was Smith’s Lois an unwilling cuck in her in own marriage? Why weren’t the complexities of Adjani’s Mado to fall in love with a married man (considering the circumstance) more tumultuous? The final scene in which Adjani is momentarily destitute before being taken in by another strange man is ultimately devastating and perhaps the antithesis of the film.
A good review here
anica
5.0★ · 04/06/24

isabelle adjani........ baby no what is this
isabelle adjani........ baby no what is this
Jéssica Delpupo
1.9★ · 12/12/23

Única coisa boa neste aqui é a Isabelle, tadinha sempre ficando maluca por causa de um homem feio
Única coisa boa neste aqui é a Isabelle, tadinha sempre ficando maluca por causa de um homem feio
lik
4.3★ · 09/05/23

isabelle adjani can never catch a break
isabelle adjani can never catch a break