Quartet backdrop

Quartet

1981·Drama·1h 41m
7.0
When her husband's arrest leaves her penniless, a woman accepts an invitation to move in with a strange couple.
Directed by James Ivory
prison
theft
based on memoir or autobiography
couple
1920s

Cast

Isabelle Adjani
Isabelle Adjani
Marya 'Mado' Zelli
Maggie Smith
Maggie Smith
Lois Heidler
Alan Bates
Alan Bates
H.J. Heidler
Anthony Higgins
Anthony Higgins
Stephan Zelli
Suzanne Flon
Suzanne Flon
Mme. Hautchamp
Sheila Gish
Sheila Gish
Anna
Daniel Chatto
Daniel Chatto
Guy
Pierre Clémenti
Pierre Clémenti
Theo
Daniel Mesguich
Daniel Mesguich
Pierre Schlamovitz
Armelia McQueen
Armelia McQueen
Nightclub singer
Virginie Thévenet
Virginie Thévenet
Madmoiselle Chardin
Muriel Montossé
Muriel Montossé
Marjorie

Crew

James Ivory
James Ivory
Director
Ruth Prawer Jhabvala
Ruth Prawer Jhabvala
Writer
James Ivory
James Ivory
Screenplay
Richard Robbins
Richard Robbins
Original Music Composer
Pierre Lhomme
Pierre Lhomme
Director of Photography
Ismail Merchant
Ismail Merchant
Producer
Richard King
Richard King
Sound Re-Recording Mixer

Popular Reviews

18 reviews
lululaWK
lululaWK
Quartet
Lowkey this was the plot of the housemaid
Lowkey this was the plot of the housemaid
Favorite
Comment
Jagdish
Jagdish
Quartet
QUARTET ends on this chilling note:

“Nowadays people live in a dirty way. There is no tradition. There is nothing beautiful.”

Despite the star power of Adjani and Smith, the film fails to dig deeper into the mores of a woman in this era, or even circumstance. Are the means to a woman’s survival (irregardless of privilige) tied to the whims of your husband? Was Smith’s Lois an unwilling cuck in her in own marriage? Why weren’t the complexities of Adjani’s Mado to fall in love with a married man (considering the circumstance) more tumultuous? The final scene in which Adjani is momentarily destitute before being taken in by another strange man is ultimately devastating and perhaps the antithesis of the film. 

A good review here
QUARTET ends on this chilling note:

“Nowadays people live in a dirty way. There is no tradition. There is nothing beautiful.”

Despite the star power of Adjani and Smith, the film fails to dig deeper into the mores of a woman in this era, or even circumstance. Are the means to a woman’s survival (irregardless of privilige) tied to the whims of your husband? Was Smith’s Lois an unwilling cuck in her in own marriage? Why weren’t the complexities of Adjani’s Mado to fall in love with a married man (considering the circumstance) more tumultuous? The final scene in which Adjani is momentarily destitute before being taken in by another strange man is ultimately devastating and perhaps the antithesis of the film. 

A good review here
Favorite
Comment
anica
anica
Quartet
isabelle adjani........ baby no what is this
isabelle adjani........ baby no what is this
Favorite
Comment
Jéssica Delpupo
Jéssica Delpupo
Quartet
Única coisa boa neste aqui é a Isabelle, tadinha sempre ficando maluca por causa de um homem feio
Única coisa boa neste aqui é a Isabelle, tadinha sempre ficando maluca por causa de um homem feio
Favorite
Comment
lik
lik
Quartet
isabelle adjani can never catch a break
isabelle adjani can never catch a break
Favorite
Comment