Why everyone should be forklift certified.
Genius, perfect, incredible. Where Alien abused the audiences fear of the unknown, Aliens uses our knowledge of the xenomorph to drive the tension forward. A sequel so completely different from its original, a testament to how different artistic approaches can differ but still be great in their own rights.
Every beat of this is just gold. From the analog VFX, Sigourney Weaver firing off flamethrowers with a child in her arms, to the pacing that drives like a fucking drum in a slow crescendo. Ripley defines the action heroine, and James Cameron blueprints what a fucking action movie should be.
Why everyone should be forklift certified.
Genius, perfect, incredible. Where Alien abused the audiences fear of the unknown, Aliens uses our knowledge of the xenomorph to drive the tension forward. A sequel so completely different from its original, a testament to how different artistic approaches can differ but still be great in their own rights.
Every beat of this is just gold. From the analog VFX, Sigourney Weaver firing off flamethrowers with a child in her arms, to the pacing that drives like a fucking drum in a slow crescendo. Ripley defines the action heroine, and James Cameron blueprints what a fucking action movie should be.