Yes, Mary Pickford is great, and the double-exposure tricks that allow her to act opposite herself were truly innovative for the time. But the two performances that really stood out for me were Marcia Manon as the main villain, Louise -- I reckon her acting chops would have fit in just fine in Hollywood today -- and the dog (supposedly Mack Sennett's dog), who has his own fully fleshed-out subplot, and delivers it convincingly.
The plot itself is kind of thin for a feature, and there's a reason Conway Tearle hasn't gone down in history as one of Classic Hollywood's Great Leading Men, but eh, whaddyawant.
So, yeah, come for Mary Pickford doing some serious acting, but stay for the evil lady and the pooch.
Yes, Mary Pickford is great, and the double-exposure tricks that allow her to act opposite herself were truly innovative for the time. But the two performances that really stood out for me were Marcia Manon as the main villain, Louise -- I reckon her acting chops would have fit in just fine in Hollywood today -- and the dog (supposedly Mack Sennett's dog), who has his own fully fleshed-out subplot, and delivers it convincingly.
The plot itself is kind of thin for a feature, and there's a reason Conway Tearle hasn't gone down in history as one of Classic Hollywood's Great Leading Men, but eh, whaddyawant.
So, yeah, come for Mary Pickford doing some serious acting, but stay for the evil lady and the pooch.