Two roommates’ lives are upended after finding out that their new Manhattan apartment harbors a dark secret.
Directed by Dasha Nekrasova
exploitation
possession
lesbian sex
occult
manhattan, new york city
woman director
lesbian
apartment
Trailer
IMDB
N/A
Letterboxd
2.6 / 5
Where to Watch
Cast
Betsey Brown
Addie
Madeline Quinn
Noelle
Dasha Nekrasova
The Girl
Jason Grisell
Apothecary Clerk
Michael M. Bilandic
Greg's Boss
Ruby McCollister
Mailroom Girl
Aaron Dalla Villa
Crystal Shop Customer
Crew
Dasha Nekrasova
Director
Dasha Nekrasova
Writer
Madeline Quinn
Writer
Eli Keszler
Original Music Composer
Hunter Zimny
Director of Photography
Doug Sakmann
Props
Brace Belden
Thanks
Annie Hamilton
Thanks
Nick Pinkerton
Thanks
Jordan Tetewsky
Steadicam Operator
Daniel Lopatin
Thanks
Jordan Tetewsky
Key Grip
Popular Reviews
57 reviews
shayla
5.0★ · 10/29/25
“greg, your girlfriend is fucking dead!”
“what?”
“*wait, you have a girlfriend?”
*
betsey brown carried this film.
“greg, your girlfriend is fucking dead!”
“what?”
“*wait, you have a girlfriend?”
*
betsey brown carried this film.
Brendon
4.0★ · 10/27/25
A low-budget exploitation horror film about two girls who move into Jeffrey Epstein's apartment, and one of them is possessed by one of his and Prince Andrew's victims, with the film serving as a metaphor for women's exploitation that was directed by a red-pilled female podcaster from Belarus/Vegas who supported Trump in the 2024 election! If this isn't the greatest Mad Lib to ever exist, I don't know what is.> Closer to a 2.5.The Scary of Sixty-First (funny title) is one of the movies of all time. It certainly counts as a movie. In all honesty, this isn't the worst thing ever. Actually, it's pretty interesting as an experiment in exploitation horror, and Dasha Nekrasova uses the concept of two female roommates moving into an apartment once owned by Jeffrey Epstein, with one of the roommates being possessed by a victim and committing sex acts on inanimate objects while having a baby voice, as well as it could have possibly gone. Despite that, the movie uses its idea as a vehicle to discuss men not believing women and the ever-growing distrust in higher officials, negating it with awkward moments that are intentionally creepy in a bad way. They reminded me of the sex scenes in Poor Things, but if Bella Baxter was possessed by a girl who could have actually existed and was abused and destroyed by a powerful monster and the demons that he enabled. The pacing is also fairly fast at times, not really letting us sit with these characters, and the stakes don't feel there at all. We know that Addie is possessed, but why should we care? Are they being followed? Who knows? They don't follow up with it until the last scene. I have a ton of criticisms with this film, morally and script-wise, but Nekrasova's direction is solid, using some fun editing decisions to evoke a disturbed feeling that reeks of the soul of this experiment. I would rate it lower, but I feel there is way too much going on beyond the surface level, and I feel this may be worth watching if you can handle some uncomfortable pedophilic possession role play.
A low-budget exploitation horror film about two girls who move into Jeffrey Epstein's apartment, and one of them is possessed by one of his and Prince Andrew's victims, with the film serving as a metaphor for women's exploitation that was directed by a red-pilled female podcaster from Belarus/Vegas who supported Trump in the 2024 election! If this isn't the greatest Mad Lib to ever exist, I don't know what is.> Closer to a 2.5.The Scary of Sixty-First (funny title) is one of the movies of all time. It certainly counts as a movie. In all honesty, this isn't the worst thing ever. Actually, it's pretty interesting as an experiment in exploitation horror, and Dasha Nekrasova uses the concept of two female roommates moving into an apartment once owned by Jeffrey Epstein, with one of the roommates being possessed by a victim and committing sex acts on inanimate objects while having a baby voice, as well as it could have possibly gone. Despite that, the movie uses its idea as a vehicle to discuss men not believing women and the ever-growing distrust in higher officials, negating it with awkward moments that are intentionally creepy in a bad way. They reminded me of the sex scenes in Poor Things, but if Bella Baxter was possessed by a girl who could have actually existed and was abused and destroyed by a powerful monster and the demons that he enabled. The pacing is also fairly fast at times, not really letting us sit with these characters, and the stakes don't feel there at all. We know that Addie is possessed, but why should we care? Are they being followed? Who knows? They don't follow up with it until the last scene. I have a ton of criticisms with this film, morally and script-wise, but Nekrasova's direction is solid, using some fun editing decisions to evoke a disturbed feeling that reeks of the soul of this experiment. I would rate it lower, but I feel there is way too much going on beyond the surface level, and I feel this may be worth watching if you can handle some uncomfortable pedophilic possession role play.
Ry
6.0★ · 09/11/25
#relevant
#relevant
Nathan MaskPRO
4.0★ · 06/25/25
What would of happened if possession was made by someone who grew up on twitter
What would of happened if possession was made by someone who grew up on twitter