Hallelujah backdrop

Hallelujah

1929·Music·1h 40m
7.1
A black laborer turns preacher after accidentally killing a man.
Directed by King Vidor
hustler
musical
game of dice
femme fatale
preacher
all black cast
death of brother
loaded dice
cotton picker
woman seduces a man
moral corruption
con couple
wayward woman
corrupt religious leader

Cast

Daniel L. Haynes
Daniel L. Haynes
Zeke
Nina Mae McKinney
Nina Mae McKinney
Chick
William Fountaine
William Fountaine
Hot Shot
Matthew Beard
Matthew Beard
Child (uncredited)
Clarence Muse
Clarence Muse
Church Member (uncredited)
Sam McDaniel
Sam McDaniel
Adam (uncredited)

Crew

King Vidor
King Vidor
Director
Irving Thalberg
Irving Thalberg
Producer
Cedric Gibbons
Cedric Gibbons
Art Direction
Irving Berlin
Irving Berlin
Songs
King Vidor
King Vidor
Story

Popular Reviews

6 reviews
Boy
Boy
Hallelujah
Interesting stuff 🤔
Interesting stuff 🤔
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niki
Hallelujah
pretty solid film when situating it in the political, cultural, and social standards of the time. phenomenal in its casting and plot but flawed due to the blatant promotion and perpetuation of black stereotypes and reduction of the black individual into racist tropes to satisfy white audiences of the time—a profit-based concern that persists to this day (a la the magnificent seven). however, king vidor’s directing and vision was ahead of its time in some ways but was overshadowed by the film’s flaws. undeniably a hard watch!
pretty solid film when situating it in the political, cultural, and social standards of the time. phenomenal in its casting and plot but flawed due to the blatant promotion and perpetuation of black stereotypes and reduction of the black individual into racist tropes to satisfy white audiences of the time—a profit-based concern that persists to this day (a la the magnificent seven). however, king vidor’s directing and vision was ahead of its time in some ways but was overshadowed by the film’s flaws. undeniably a hard watch!
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CruiseCruz
CruiseCruz
Hallelujah
Watched it on Wikipedia
Watched it on Wikipedia
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charlie
charlie
Hallelujah
open those arms, there’s a lot of take in
open those arms, there’s a lot of take in
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Jonathan
Jonathan
Hallelujah
Hallelujah is a difficult film to touch upon, and while it is technically strong, it's impossible to ignore its blatantly outdated worldview. The film is a product of its time and seems to have been out of the best of intentions by King Vidor, but that doesn't excuse it from perpetuating harmful stereotypes.

I must say though that it has some of the most consistent utilizations of sound in a 1920's film, but I wish it had aged better.
Hallelujah is a difficult film to touch upon, and while it is technically strong, it's impossible to ignore its blatantly outdated worldview. The film is a product of its time and seems to have been out of the best of intentions by King Vidor, but that doesn't excuse it from perpetuating harmful stereotypes.

I must say though that it has some of the most consistent utilizations of sound in a 1920's film, but I wish it had aged better.
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