Murakawa ce petit prankeur 😋

Murakawa ce petit prankeur 😋

This was my first Takeshi Kitano movie and it did not disappoint. In the same vein as the American mobster films so I just knew I’d love it. The whole cast was great, and I really loved the action scenes because I love that stuff so much. Very excited to see more of Kitanos movies.

This was my first Takeshi Kitano movie and it did not disappoint. In the same vein as the American mobster films so I just knew I’d love it. The whole cast was great, and I really loved the action scenes because I love that stuff so much. Very excited to see more of Kitanos movies.

Étonnement extrêmement deçue. Les cinéphiles ne sont que des enfants de putain à nous rabâcher Sonatine alors que Dolls existe. Pas non plus un mauvais film mais ça fait pas le tchololo quoi pourtant j’ai pas l’impression d’être levée du mauvais pieds aujourd’hui

Étonnement extrêmement deçue. Les cinéphiles ne sont que des enfants de putain à nous rabâcher Sonatine alors que Dolls existe. Pas non plus un mauvais film mais ça fait pas le tchololo quoi pourtant j’ai pas l’impression d’être levée du mauvais pieds aujourd’hui

When you're scared all the time, you reach a point when you wish you were dead.

When you're scared all the time, you reach a point when you wish you were dead.

Resonates as I to wish I could escape mundanity and play frisbee with the boys on the beach…

Never been a lover of gangster films so naturally, I struggled to connect. Still, it’s packed with that Kitano x Hisaishi charm: feathery tone and minimalistic cinematography fill the space through the middle portions making it a quiet and contemplative hangout film which while i enjoyed, begun to drag after a while.
There’s clearly more beneath the surface - an existential thread that is further reinforced by the finale but I couldn’t quite grasp onto it. Maybe one to circle back to in the future…

Resonates as I to wish I could escape mundanity and play frisbee with the boys on the beach…

Never been a lover of gangster films so naturally, I struggled to connect. Still, it’s packed with that Kitano x Hisaishi charm: feathery tone and minimalistic cinematography fill the space through the middle portions making it a quiet and contemplative hangout film which while i enjoyed, begun to drag after a while.
There’s clearly more beneath the surface - an existential thread that is further reinforced by the finale but I couldn’t quite grasp onto it. Maybe one to circle back to in the future…