"Come on now, Drop the shoe will you?"
Some of the most apocalyptic images ever animated to the screen nearly 86 years prior, these are implied to be logically followed by science and mythics wheras these depictions are shown so hauntingly in every frame articulated and drawn in such an overpoweringly climatic position. Strong contrasts of bright splashes, graphic shadows, and lively characteristics only riveled by the actual music playing itself.
The waves are manipulated as ghosts, clouds bleed into an entire space, even gods are entirely vulnerable when exposed to glimmers of light, A world fundamentally broken down and born anew. I'd like to think that because of the time this was made WWII is on the rise and perhaps the effects of that period have impacted more of the emotions these animators put it their all in these sequences, It's so hauntingly expressionistic of the power people can have when committed to their art.
If only i could watch this a billion more times
"Come on now, Drop the shoe will you?"
Some of the most apocalyptic images ever animated to the screen nearly 86 years prior, these are implied to be logically followed by science and mythics wheras these depictions are shown so hauntingly in every frame articulated and drawn in such an overpoweringly climatic position. Strong contrasts of bright splashes, graphic shadows, and lively characteristics only riveled by the actual music playing itself.
The waves are manipulated as ghosts, clouds bleed into an entire space, even gods are entirely vulnerable when exposed to glimmers of light, A world fundamentally broken down and born anew. I'd like to think that because of the time this was made WWII is on the rise and perhaps the effects of that period have impacted more of the emotions these animators put it their all in these sequences, It's so hauntingly expressionistic of the power people can have when committed to their art.
If only i could watch this a billion more times